Untitled (car and jigal trees) Most often explored in Doreen’s works are the motifs of her everyday modern Aboriginal community life; the animals hunted and plants gathered for bush tucker, the cars and aeroplanes used to travel to the cities Read more…
Moolyella Rockhole “This is a rockhole- people coming this side and people coming round this [other] side, coming to that waterhole. This painting is about every rockhole in Moolyella, where I used to work… We would walk and get some Read more…
Warralong This is Mayiwalku’s Country- her ‘ngurra’ (home Country, camp). People identify with their ngurra in terms of specific rights and responsibilities, and the possession of intimate knowledge of the physical and cultural properties of one’s Country. Painting ngurra, and Read more…
Wirlarra (Wilarra) “The moon and the lake. The moon is taking care of the dingo pups, it’s looking after them. This here is the salt lake [and the] dingo pups laying down, they’re laying there with their mum. [The] father Read more…
Jarntinti “This is a linyji (claypan). We find kalaru (seed used for making damper from samphire bush) there that we collect. Too much good tucker!” – Mayiwalku May Chapman Jarntinti is a large claypan at the Southern end of Nyayartakujarra Read more…
Untitled Most often explored in Doreen’s works are the motifs of her everyday modern Aboriginal community life; the animals hunted and plants gathered for bush tucker, the cars and aeroplanes used to travel to the cities and remote communities she Read more…
Untitled This is Mayiwalku’s Country- her ‘ngurra’ (home Country, camp). People identify with their ngurra in terms of specific rights and responsibilities, and the possession of intimate knowledge of the physical and cultural properties of one’s Country. Painting ngurra, and Read more…
