Diane Kemarre Ross – Atyenh Amper (My Country) This is my country, it’s the country around Irrultja. This is where we like to go after big rain. After big rain there, we can go swimming. There is always good hunting Read more…
Julieanne Ngwarraye Morton – Alpeyt Alpeyt (Flowers Blooming) Walking across my land to look for bush flowers and goanna. I bring home to make medicine for my family and cook the goanna for dinner. Goanna is my favourite to eat.
Untitled This is Mayiwalku’s Country- her ‘ngurra’ (home Country, camp). People identify with their ngurra in terms of specific rights and responsibilities, and the possession of intimate knowledge of the physical and cultural properties of one’s Country. Painting ngurra, and in so doing Read more…
Coongan Waters “This is that place where the water stops and has pools in the dry season. You can see that gold across there and the gemstones, all gemstones, these ones next to the gold, and this is the coongan Read more…
Mimih Spirit The mimih spirit exists in a realm that runs parallel to and mirrors many facets of human life, demonstrating the deep sense of time and place understood by Aboriginal and Torres Strait Islander people. Such spirits feature importantly Read more…
Birlmu (Barramundi) + Kalawan (Goanna) Works in fibre from the Maningrida region are widely recognised as some of the finest in Australia. Artists confidently push the boundaries of fibre craft and cultural expression, adapting traditional techniques and forms to produce Read more…
An-gujechiya (Fish Trap) To make fish traps and fish net fences artists firstly get vine (mirlarl) from the jungle and they put it in water for one night to make it soft. Next they start weaving it; they make rings Read more…
An-gujechiya (Fish Trap) To make fish traps and fish net fences artists firstly get vine (mirlarl) from the jungle and they put it in water for one night to make it soft. Next they start weaving it; they make rings Read more…
Bekka (File Snake) Throughout the 1990s, artists Lena Yarinkura and her mother Lena Djammarrayku (now deceased) diverged from the more conventional fibre work of their contemporaries, extending traditional weaving techniques and materials to make new ambitious and innovative sculptural forms. Read more…