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Elizabeth Ngwarraye Bonney – Penh Artna Rwa (After Bushfire)

This is the soakage (place to dig to find water) after the bushfire, made by a lightning strike. It burnt the grass down, then the rain came and the grass grows sweet and new. The kangaroos come out for the new grass, so we can go hunting for kangaroos and goannas, it is easy hunting because the land is bare of bush and we can see them

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Kelvin Kemarre Ladd – Desert Speedway

I love motorcycles – Yamahas and Hondas and I love motorcycle guys, so cool. This one is riding his motorbike in the desert, he has Yamaha written on his gear, and it’s a Yamaha Bike

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Robina Pitjara Jones – Atyenh Amper (My Country)

This is my country out in Utopia an outstation called Soapy Bore it’s  my Father’s country, there’s  big soakage, hills, bush medicine and bush tucker. All my family paint, my grandmother, my mother and aunties. I like to paint, I think about my country, the colours and my family who have gone.

The community of Ampilatwatja made a conscious decision not to paint altyerr (dreaming stories). The artists paint their country where those stories sit.

220982440381



Robina Pitjara Jones – Atyenh Amper (My Country)

This is my country out in Utopia an outstation called Soapy Bore it’s  my Father’s country, there’s  big soakage, hills, bush medicine and bush tucker. All my family paint, my grandmother, my mother and aunties. I like to paint, I think about my country, the colours and my family who have gone.

The community of Ampilatwatja made a conscious decision not to paint altyerr (dreaming stories). The artists paint their country where those stories sit.

220982440662



Maisie Petyarre Bundey – Anhelengkw (Emu) Dreaming

Anhelengkw (emu) dreaming is the breast body painting depicting the story of the mother emu who runs away and leaves the father emu to look after the eggs until they hatch, he then raises the chicks.

This story is passed down through Maisie’s family and celebrated in dance.

220982440661



Maisie Petyarre Bundey – Anhelengkw (Emu) Dreaming

Anhelengkw (emu) dreaming is the breast body painting depicting the story of the mother emu who runs away and leaves the father emu to look after the eggs until they hatch, he then raises the chicks.

This story is passed down through Maisie’s family and celebrated in dance.

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Maisie Petyarre Bundey – Anhelengkw (Emu) Dreaming

Anhelengkw (emu) dreaming is the breast body painting depicting the story of the mother emu who runs away and leaves the father emu to look after the eggs until they hatch, he then raises the chicks.

This story is passed down through Maisie’s family and celebrated in dance.

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Maisie Petyarre Bundey – Artna Tyap (Bush Tucker)

Maisie paints the bush tucker found in her country, the area that surrounds Boundary Bore in the Utopia homelands. She paints bush plums, bush bananas, bush potatoes and bush medicine plants. The main motif which recurs often in Maisie artworks is a full coolamon.
 
When she paints she always speaks of gathering and hunting on her country – long way from here, long time ago, filling up coolamons with bush potato, bush banana, goanna and porcupine. Maisie always says her family are happy ones and healthy ones.
 


Dimensions: 30 x 30 cm Acrylic on Linen

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Daisy Kemarre Moss – Atyenh Amey Amper (My Mother’s Country)

Daisy has painted her Mother’s country, Kngwarraye country. Kngwarraye is one of the four main skin names of Ampilatwatja.

Bush medicine, goanna and many other traditional bush foods are found here. This is where Daisy’s traditional laws lie.

Daisy paints her country to keep her country strong.

The artists of Ampilatwatja made a conscious decision not to paint altyerr (dreaming stories). The artists paint their country where those stories sit.

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Levina Pitjara Morton – Atyenh Amper (My Country)

When I paint, I think of the stories my Grandmother Lilly tells me of how she and her family used to live. Where they lived on her country as she was growing up and how they followed their mothers and their grandmothers.

When I go hunting with family for bush tucker and bush medicine it makes me think of Lilly’s stories, the way they used to live off the land, traditionally.
I paint those places my Grandmother tells me about, I paint how I imagine they were and the life they used to lead.

Levina’s fine dot technique requires a lot of time and patience, communicates the pride and passion she has for her paintings and her country.

The community of Ampilatwatja made a conscious decision not to paint altyerr (dreaming stories). The artists paint their country where those stories sit.