My Great Grandmothers Country is where we go hunting. We hunt arlewatyerr (goanna) and arwengerrp(bush turkey). After the big rains we swim in the river. We look for sweet alkwarrer (bush banana), anaty (bush potato) and akarley (wild oranges).
I am inspired by the beautiful wild flowers that grow there. Being on my great grandmothers country makes me happy and content.
Walking across my land to look for bush flowers and goanna. I bring home to make medicine for my family and cook the goanna for dinner. Goanna is my favourite to eat.
Walking across my land to look for bush flowers and goanna. I bring home to make medicine for my family and cook the goanna for dinner. Goanna is my favourite to eat.
Kwetyaylp (donkeys) and nantew (horses) would come and drink from the water at Spring Creek on my father’s country. We would put a bucket in the sand we would filter the water so we could drink it.
When I was young girl we would go to Canteen Creek following the track along the hills, we would hunt turkey, emus and kangaroo and we would cut the bark and collect the sap from the sugar bag trees. `
My Mother, Lilly Kemarre, taught me to paint. She likes to paint her Mother’s and Father’s country from the old days, when they used to live off of the land.
The landscape changes during the different seasons in the year. I paint the dried flowers and bushes from last season as well as the new plants that come after the rain. These plants have special meanings and uses for us. I have been taught how to read the country, and now I teach my children these skills.
Julieanne’s painting’s are inspired by her Mother’s stories of the old days, walking and living on their land, and also of her own experience of life out here in Alyawarr country.
This painting is of my Mother’s Country, where the enookecha (kunga berry) trees grow.
After the rain the enookecha come out, the rain makes the flowers and seeds fall to the ground and then the fairies come.
They are sweet, good fairies that live in the enookecha trees and they come after the rain. When we go out we can feel them there.
Daisy has painted her Mother’s country, Kngwarraye country. Kngwarraye is one of the four main skin names of Ampilatwatja.
Bush medicine, goanna and many other traditional bush foods are found here. This is where Daisy’s traditional laws lie.
Daisy paints her country to keep her country strong.
The artists of Ampilatwatja made a conscious decision not to paint altyerr (dreaming stories). The artists paint their country where those stories sit.
I paint my Great Grandmothers country around Canteen Creek. Long time ago she hunted around this soakage in this country. When I paint, I paint that country, the soakage the bushflowers the sandhills and the distant mountains.
I hunt this country now.
Jessie’s landscapes beautifully communicate the rich knowledge she possesses of medicinal plants and country, the heart of her culture.
Jessie’s has painted her country, Ampilatwatja. The brightly coloured flowers and small bushes are bush medicine and are still used within the community.
Jessie’s predominant theme in her paintings is ‘strong bush medicine’, demonstrating a deep connection to her country. Her work pays homage to the significance and use of traditional bush medicine, allowing an insight into her community. Yet underneath the iridescent surface, there is an underlying sense that there is more to this landscape than meets the eye. In keeping with the religious laws, Jessie reveals only a small amount of knowledge to the uninitiated.
The community of Ampilatwatja made a conscious decision not to paint altyerr (dreaming stories). The artists paint their country where those stories sit.
My country. When I go hunting out bush, as we drive along the road towards the hill you can see the beautiful land and the flowers blooming on the side of the road, and near the hills, even the beautiful gum trees.
It makes me proud.