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Kathleen Nanima Rambler – Arlweye Ampere (My Fathers Country)

I paint the country of my Father and Mother and where they grew up, near Barrow Creek.

This is the painting of my Father’s country, where I grew up. When we would go hunting, we always climbed those hills. We would take the kids hunting too and take photos of the hills.

I use bright colours and beautiful attention to detail expresses the love and joy that I have for the country closest to my heart.

The community of Ampilatwatja made a conscious decision not to paint altyerr (dreaming stories). The artists paint their country where those stories sit.

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Leanne Teece – Anterrengeny – My Father’s Country

Anterrengeny is my Father’s country. I paint the country that I come from, the beautiful landscapes and the many colours as they change during the session.

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Elizabeth Ngwarraye Bonney – Penh Kwaty (After Rain)

After we have big rain the land is full of flowers and the river is full of water. This makes me happy.

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Rita Pitjara Beasley – My Father’s Country

“This is my Father’s country.

This place is our hunting place. I always go with my daughters and their children, I show them this place and teach them about the swampy country. We hunt for goannas, bush potato, bush tomato and after the big rain the bush medicine is picked and the roots are dug up to be used.

It is important as my mother taught me this and now I teach my family.”

The community of Ampilatwatja made a conscious decision not to paint altyerr (dreaming stories). The artists paint their country where those stories sit.

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Susan Ngwarraye Philomac – Spring Creek

Kwetyaylp (donkeys) and nantew (horses) would come and drink from the water at Spring Creek on my father’s country.  We would put a bucket in the sand we would filter the water so we could drink it. 

When I was young girl we would go to Canteen Creek following the track along the hills, we would hunt turkey, emus and kangaroo and we would cut the bark and collect the sap from the sugar bag trees. `

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View Of Country

This shows the layered landscape of Alyawarr, Central Australia. Knowing your country is an important part of living in a remote community like Ampilatwatja.

Knowing when and where to go hunting and gathering, knowing where there is ‘soakage’ (where you can dig for water), travelling with family for ceremonies, and maintaining a connection with the land.

“This is my country, my view of country.”

The community of Ampilatwatja made a conscious decision not to paint altyerr (dreaming stories). The artists paint their country where those stories sit.

 

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Rosie Kemarre Morton – My Father’s Country and Bush Medicine

Rosie has painted her Father’s country, where she can always find bush tucker and bush medicine. She is very happy when out bush hunting and gathering, as it brings back memories of her childhood when she used to live traditionally off of the land with her family.


Rosie uses these hunting trips as her inspiration for her artworks, each one reflecting the layered landscape and various colours as she has seen them. They are always changing, with the light of day and the seasons of the year.


Rosie enjoys and understands the importance of painting bush medicine plants. They help in the healing of her people and it keeps the tradition and knowledge strong. These particular plants are very plentiful after rain and can be used for numerous conditions, such as skin irritations, flu, coughs and infections.


Rosie’s dreaming is the Araluta or kangaroo plant. This bush is a rich source of food for the kangaroos and keeps them fat and healthy and good for hunting.

The community of Ampilatwatja made a conscious decision not to paint altyerr (dreaming stories). The artists paint their country where those stories sit.

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Susan Ngwarraye Philomac – Spring Creek

Kwetyaylp (donkeys) and nantew (horses) would come and drink from the water at Spring Creek on my father’s country.  We would put a bucket in the sand we would filter the water so we could drink it. 

When I was young girl we would go to Canteen Creek following the track along the hills, we would hunt turkey, emus and kangaroo and we would cut the bark and collect the sap from the sugar bag trees. `

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Jacinta Pula Morrison – View of Country

This painting shows the layered landscape of Alyawarr, Central Australia. Knowing your country is an important part of living in a remote community like Ampilatwatja. Knowing when and where to go hunting and gathering, knowing where there is ‘soakage’ (where you can dig for water), travelling with family for ceremonies, and maintaining a connection with the land.

“This is my country, my view of country.”

The community of Ampilatwatja made a conscious decision not to paint altyerr (dreaming stories). The artists paint their country where those stories sit.

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Elizabeth Ngwarraye Bonney – My Homeland Tijamburra

My homeland is Tijamburra, Canteen Creek, I love that country, it is my Grandmother’s country and it is the only country that I paint. It is fresh country after the rain and it is always plentiful with bush tucker and bush medicine. There are many soakages (places to find water) and we have names for all of them. You can sit there in the shade of the big trees and I love to camp there, the little children in my family never want to leave and want to swim all day in the cool big swamps