Artists of Ampilatwatja

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Rita Pitjara Beasley – My Father’s Country

“This is my Father’s country.

This place is our hunting place. I always go with my daughters and their children, I show them this place and teach them about the swampy country. We hunt for goannas, bush potato, bush tomato and after the big rain the bush medicine is picked and the roots are dug up to be used.

It is important as my mother taught me this and now I teach my family.”

The community of Ampilatwatja made a conscious decision not to paint altyerr (dreaming stories). The artists paint their country where those stories sit.

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Beverly Pula Luck – My Mother’s Country

Beverly paints her Mother’s country. When Beverly was a child her mother took her all around her country and showed her the bush medicine and bush tucker.

The knowledge of the bush plants has been handed down through generation to generation and Beverly still spends time hunting and collecting bush medicine plants to use in everyday life.  Taught by her mother and grand mother, Beverly also sings the songs of the bush medicine plants. 

Beverly’s paintings are joyous and full of information regarding bush medicine plants.

The artists of Ampilatwatja made a conscious decision not to paint altyerr (dreaming stories). The artists paint their country where those stories sit.

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Levina Pitjara Morton – My Country

When I paint, I think of the stories my Grandmother Lilly tells me of how she and her family used to live. Where they lived on her country as she was growing up and how they followed their mothers and their grandmothers.

When I go hunting with family for bush tucker and bush medicine it makes me think of Lilly’s stories, the way they used to live off the land, traditionally.
I paint those places my Grandmother tells me about, I paint how I imagine they were and the life they used to lead.

Levina’s fine dot technique requires a lot of time and patience, communicates the pride and passion she has for her paintings and her country.

The community of Ampilatwatja made a conscious decision not to paint altyerr (dreaming stories). The artists paint their country where those stories sit.

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Alec Pula Lewis – View of Country

Alec was born at McDonald Downs Station. He grew up there with his family living traditionally on the land.  Alec did not attend school, he moved between different communities with his family. 

Knowing your country is an important part of living in a remote community like Ampilatwatja. Knowing when and where to go hunting and gathering, knowing where there is ‘soakage’ (where you can dig for water), travelling with family for ceremonies, and maintaining a connection with the land.

“This is my country, my view of country.”

The artists of Ampilatwatja made a conscious decision not to paint altyerr (dreaming stories). The artists paint their country where those stories sit.

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Susan Ngwarraye Philomac – Spring Creek

Kwetyaylp (donkeys) and nantew (horses) would come and drink from the water at Spring Creek on my father’s country.  We would put a bucket in the sand we would filter the water so we could drink it. 

When I was young girl we would go to Canteen Creek following the track along the hills, we would hunt turkey, emus and kangaroo and we would cut the bark and collect the sap from the sugar bag trees. `

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Michelle Pula Holmes – My Country

When I go out hunting I always like to see the colour in the trees, the light, the dark and the bush medicine plants growing on the sand hills. The colours change at sunrise and sunset. I like hunting and seeing my country.

I love to paint since childhood. My paintings show my deep love for my country and the beauty I see.

The community of Ampilatwatja made a conscious decision not to paint altyerr (dreaming stories). The artists paint their country where those stories sit.

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Rita Pitjara Beasley – My Father’s Country

“This is my Father’s country.

This place is our hunting place. I always go with my daughters and their children, I show them this place and teach them about the swampy country. We hunt for goannas, bush potato, bush tomato and after the big rain the bush medicine is picked and the roots are dug up to be used.

It is important as my mother taught me this and now I teach my family.”

The community of Ampilatwatja made a conscious decision not to paint altyerr (dreaming stories). The artists paint their country where those stories sit.

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Nancy Pitjara Frank – Bush Flowers

I was born in the bush at Ammaroo Station, along the Sandover.  I have never seen the ocean or a big city. My mother and father were strong healthy people who taught me and my younger sister Rita the traditional way to hunt for Kangaroo, Goanna and Porcupine. 

We know how to gather bush tucker (secrets of the earth) and bush medicine plants.  My mother used grinding stones to make seed damper.

When I paint I think about good memories, being a young girl and walking through the land.  My mother made paint from two stones and showed us ceremony painting and how to sing and dance for ceremonies.  I still sing and dance and collect the bush medicines, I like to make tea from the small purple flowers of Arreth (hill fuchsia).

Painting bush medicine stories is important because it helps to maintain a strong knowledge and culture for the community.

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Janella Kemarre Ross – Summer Bush Tucker

During the Summer months kedgadrr (bush tomatoes) and il quarldrr (bush banana) are especially bountiful at this time of year, bush foods that are found in Alyawarr country, the land of the people of Ampilatwatja.

Communicating bush foods through painting is an important way of teaching younger generations and maintaining a strong culture.

The community of Ampilatwatja made a conscious decision not to paint altyerr (dreaming stories). The artists paint their country where those stories sit.

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Leanne Teece – Anterrengeny – My Father’s Country

Anterrengeny is my Father’s country. I paint the country that I come from, the beautiful landscapes and the many colours as they change during the session.