Artists of Ampilatwatja

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Beverly Pula Luck – My Mother’s Country

Beverly paints her Mother’s country. When Beverly was a child her mother took her all around her country and showed her the bush medicine and bush tucker.

The knowledge of the bush plants has been handed down through generation to generation and Beverly still spends time hunting and collecting bush medicine plants to use in everyday life.  Taught by her mother and grand mother, Beverly also sings the songs of the bush medicine plants. 

Beverly’s paintings are joyous and full of information regarding bush medicine plants.

The artists of Ampilatwatja made a conscious decision not to paint altyerr (dreaming stories). The artists paint their country where those stories sit.

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Chloe Ngwarraye Morton – View of Country

This shows the layered landscape of Alyawarr, Central Australia. Knowing your country is an important part of living in a remote community like Ampilatwatja.

Knowing when and where to go hunting and gathering, knowing where there is ‘soakage’ (where you can dig for water), travelling with family for ceremonies, and maintaining a connection with the land.

“This is my country, my view of country.”

The community of Ampilatwatja made a conscious decision not to paint altyerr (dreaming stories). The artists paint their country where those stories sit.

 

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Alec Pula Lewis – View of Country

Alec was born at McDonald Downs Station. He grew up there with his family living traditionally on the land.  Alec did not attend school, he moved between different communities with his family. 

Knowing your country is an important part of living in a remote community like Ampilatwatja. Knowing when and where to go hunting and gathering, knowing where there is ‘soakage’ (where you can dig for water), travelling with family for ceremonies, and maintaining a connection with the land.

“This is my country, my view of country.”

The artists of Ampilatwatja made a conscious decision not to paint altyerr (dreaming stories). The artists paint their country where those stories sit.

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Rosie Kemarre Morton – My Father’s Country and Bush Medicine

Rosie has painted her Father’s country, where she can always find bush tucker and bush medicine. She is very happy when out bush hunting and gathering, as it brings back memories of her childhood when she used to live traditionally off of the land with her family.

Rosie uses these hunting trips as her inspiration for her artworks, each one reflecting the layered landscape and various colours as she has seen them. They are always changing, with the light of day and the seasons of the year.

Rosie enjoys and understands the importance of painting bush medicine plants. They help in the healing of her people and it keeps the tradition and knowledge strong. These particular plants are very plentiful after rain and can be used for numerous conditions, such as skin irritations, flu, coughs and infections.

Rosie’s dreaming is the Araluta or kangaroo plant. This bush is a rich source of food for the kangaroos and keeps them fat and healthy and good for hunting.

The community of Ampilatwatja made a conscious decision not to paint altyerr (dreaming stories). The artists paint their country where those stories sit.

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Patsy Ngala Ross – My Grandfather’s Country

“This is my Grandfather’s country. I paint the spinnifex, wild tobacco, the witchetty grub tree, mulga and ant hills. Sometimes I paint the dry river bed but I always paint the afternoon sky and rolling hills.

I paint in this style, I like colour, this is my way.”

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Nancy Pitjara Frank – Bush Flowers

I was born in the bush at Ammaroo Station, along the Sandover.  I have never seen the ocean or a big city. My mother and father were strong healthy people who taught me and my younger sister Rita the traditional way to hunt for Kangaroo, Goanna and Porcupine. 

We know how to gather bush tucker (secrets of the earth) and bush medicine plants.  My mother used grinding stones to make seed damper.

When I paint I think about good memories, being a young girl and walking through the land.  My mother made paint from two stones and showed us ceremony painting and how to sing and dance for ceremonies.  I still sing and dance and collect the bush medicines, I like to make tea from the small purple flowers of Arreth (hill fuchsia).

Painting bush medicine stories is important because it helps to maintain a strong knowledge and culture for the community.

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Gunderson Kemarre Lewis – Great Grandmothers Country

I paint my Great Grandmothers country around Canteen Creek. Long time ago she hunted around this soakage in this country. When I paint, I paint that country, the soakage the bushflowers the sandhills and the distant mountains.

I hunt this country now.

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Selina Pula Teece – My Fathers Country

Anterrengeny is my Fathers country.

I paint the country that come from, the beautiful landscapes and the many colours as they change during the season.

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Ntang Native Seeds

The seeds are collected under a tree by laying a tarp on the ground and hitting the tree continuously until most of the seeds have fallen. Once the seeds are collected they are then ground with a mortar and grinding stone.

A number of these grinding stones have been in families for generations. Once seeds are ground, water is added and mixed until a damper like substance is formed and placed under the coals until cooked.

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Vicky Pula Holmes – My Mothers Country

Ampilatwatja is my Mothers Country, I come from a long line of artists.

My family still traditionally hunt and gather, I share my love for the land, plants, flowers and trees, with my children and grandchildren. 

My paintings are inspired by the changing seasons and I sometimes collect bush medicine plants which I make into tea to drink and bush medicine body lotions.  My favourite is aherr-aherr (lemon grass) which I boil up and then use as a body and hair wash, this always makes me feel right and good.   

Knowing your country is an important part of living in a remote community like Ampilatwatja. Knowing when and where to go hunting and gathering, knowing where there is ‘soakage’ (where you can dig for water), traveling with family for ceremonies, and maintaining a connection with the land.

“This is my Mothers country, my view of country”

The community of Ampilatwatja made a conscious decision not to paint ‘altyerr’(dreaming stories). The artists paint their country where those stories sit.