Babbarra Women’s Centre

Man-kurndalh (Black Plums) Man-kurndalh (black plum) are a much loved manme (bush food). The edible black berries are good for harvest in the late dry to wet seasons.

Marebu Deborah Wurrkidj is a Kuninjku artist from the Kurulk clan whose country lies around the outstation of Mumeka in central Arnhem Land. She is an accomplished artist working across mediums including painting, sculpture, weaving and textile design. For this design, Deborah Wurrkidj has depicted Marebu (woven pandanus mats). Works Read more…

Mandjabu (Fish Trap) “In old times people would make these mandjabu (fish traps) to go fishing. They are made with vine we find in the jungle. That old man, Anchor Gulunba, he showed me how to make these fish traps. I would sit there and watch him making them. We Read more…

Status: Stock Ramona Pants – Lorrkkon – S. Marawarr This item has been made in collaboration with Publisher Textiles, Sydney. Print: Lorrkkon (Hollow Funeral Log)By Susan Marawarr (Kuninkju)From Babbarra Women’s Centre The Lorrkkon or hollow-log coffin ceremony is the final ceremony in a sequence of mortuary rituals celebrated by the people of Arnhem Read more…

Mandjabu (Fish Trap) “In old times people would make these mandjabu (fish traps) to go fishing. They are made with vine we find in the jungle. That old man, Anchor Gulunba, he showed me how to make these fish traps. I would sit there and watch him making them. We Read more…

Mardarda and Njarlarla In Esther’s first screen design, she depicts the story of Mardarda (bones) and Njarlarla (fire sticks) carried in a dilly bag, reminiscent of traditional ways of the Ndjebenna people. ‘Back in the old days, our people would use a ‘bush lighter’ for lighting fires, which was two Read more…

Mardarda and Njarlarla In Esther’s first screen design, she depicts the story of Mardarda (bones) and Njarlarla (fire sticks) carried in a dilly bag, reminiscent of traditional ways of the Ndjebenna people. ‘Back in the old days, our people would use a ‘bush lighter’ for lighting fires, which was two Read more…

Bawáliba (Stone Country Mimih) ‘Bawáliba is the djang (Dreaming) of my mother and my uncles. They are good spirits, they protect us and they recognise families. They are really tall- just like human beings, like us. They dance late at night and have a lot of hair. In olden times, Read more…

Bawáliba (Stone Country Mimih) ‘Bawáliba is the djang (Dreaming) of my mother and my uncles. They are good spirits, they protect us and they recognise families. They are really tall- just like human beings, like us. They dance late at night and have a lot of hair. In olden times, Read more…

Mardarda and Njarlarla (Bones and Dilly bags) In Esther’s first screen design, she depicts the story of Mardarda (bones) and Njarlarla (fire sticks) carried in a dilly bag, reminiscent of traditional ways of the Ndjebenna people. ‘Back in the old days, our people would use a ‘bush lighter’ for lighting Read more…