Mardarda and Njarlarla In Esther’s first screen design, she depicts the story of Mardarda (bones) and Njarlarla (fire sticks) carried in a dilly bag, reminiscent of traditional ways of the Ndjebenna people. ‘Back in the old days, our people would use a ‘bush lighter’ for lighting fires, which was two Read more…
Mardarda and Njarlarla In Esther’s first screen design, she depicts the story of Mardarda (bones) and Njarlarla (fire sticks) carried in a dilly bag, reminiscent of traditional ways of the Ndjebenna people. ‘Back in the old days, our people would use a ‘bush lighter’ for lighting fires, which was two Read more…
Mardarda and Njarlarla In Esther’s first screen design, she depicts the story of Mardarda (bones) and Njarlarla (fire sticks) carried in a dilly bag, reminiscent of traditional ways of the Ndjebenna people. ‘Back in the old days, our people would use a ‘bush lighter’ for lighting fires, which was two Read more…
Kunmadj – Dora Diaguma Dora has depicted kunmadj (dillybag), which is a large woven collecting basket. These large bags are often made from the burney vine (Malaisia scandens), a strong, pliable plant that grows along the ground and into the canopy of monsoon vine thickets. The bags are used to collect heavy Read more…
Mardarda and Njarlarla In Esther’s first screen design, she depicts the story of Mardarda (bones) and Njarlarla (fire sticks) carried in a dilly bag, reminiscent of traditional ways of the Ndjebenna people. ‘Back in the old days, our people would use a ‘bush lighter’ for lighting fires, which was two Read more…
Mardarda and Njarlarla In Esther’s first screen design, she depicts the story of Mardarda (bones) and Njarlarla (fire sticks) carried in a dilly bag, reminiscent of traditional ways of the Ndjebenna people. ‘Back in the old days, our people would use a ‘bush lighter’ for lighting fires, which was two Read more…
Gungura – Janet Marawarr Janet Marawarr has depicted kunkurra, the spiralling wind associated with several sites in the Kardbam clan. On one level, this design can be interpreted as a depiction of the kinds of mini-cyclones common during the wet season in Arnhem Land, where the artist lives. Kunkurra also Read more…
Gungura – Janet Marawarr Janet Marawarr has depicted kunkurra, the spiralling wind associated with several sites in the Kardbam clan. On one level, this design can be interpreted as a depiction of the kinds of mini-cyclones common during the wet season in Arnhem Land, where the artist lives. Kunkurra also Read more…
Marebu and Bush Dye Deborah Wurrkidj is a Kuninjku artist from the Kurulk clan whose country lies around the outstation of Mumeka in central Arnhem Land. She is an accomplished artist working across mediums including painting, sculpture, weaving and textile design. Deborah currently lives at Kakodbebuldi Outstation where she is Read more…
Wak Wak This design depicts a sacred site at ‘Kurrurldul’, an outstation south of Maningrida. The ‘rarrk’, or abstract crosshatching, on this work represents the design for the crow totem ancestor called ‘Djimarr’. Today this being exists in the form of a rock, which is permanently submerged at the bottom Read more…