The cassowary is my totem. My mother’s sister handed it down to me when I was a young boy. I perform the cassowary dance in public ceremonies. As a young men, I was part of the Yalanji Dance group and was invited to Hong Kong to perform our traditional dance cycles including the cassowary dance.
The cassowary is my totem. My mother’s sister handed it down to me when I was a young boy. I perform the cassowary dance in public ceremonies. As a young men, I was part of the Yalanji Dance group and was invited to Hong Kong to perform our traditional dance cycles including the cassowary dance.
Family is very important to me. Whenever I draw my family design in clay, on fabric or on paper, it makes me think about the many good experiences I had when growing up. I enjoyed being out on country, going hunting and fishing, collecting plant foods and camping. I also have fond memories of listening to traditional music and learning our cultural dances. My family design keeps all these personal memories alive like a flame, and like my ancestors before me, I try to create similar happy times with my children and grandchildren.
Traditional shields were carved from a single piece of timber cut from side of the buttress root of a rainforest fig-tree. The kidney shaped shields are unique to the rainforest Bama of Far North Queensland. They were decorated with clan, totem or moiety designs using natural ochres and a water, fat or blood binder.
Shields were primarily used for deflecting spears in tribal fighting in conjunction with large rainforest swords.
Shields were usually made and painted by senior men and were a significant personal possession of adult males.
Long time ago our ancestors used to hunt echidnas for their meat and fat. The fat was used as bush medicine. They rubbed it onto sore muscles to relieve pain.
The echidna also appears as part of a rock formation on one of the high mountains of Manjal Dimbi (Mossman Gorge). The rock formation represents a number of significant Ancestral Beings in their animal form and Kubirri, a man who came to help Kuku Yalanji when they were persecuted by the evil spirit, Wurrumbu.
This design shows how the bottom part of a black palm basket is woven. My grandmothers and aunties used to make them. They cut off the young palm leaves in the centre, stripped and scrapped them. Then they would put the strips in freshwater to make them soft and keep them straight for weaving.
This design shows how the bottom part of a black palm basket is woven. My grandmothers and aunties used to make them. They cut off the young palm leaves in the centre, stripped and scrapped them. Then they would put the strips in freshwater to make them soft and keep them straight for weaving.
This design shows how the bottom part of a black palm basket is woven. My grandmothers and aunties used to make them. They cut off the young palm leaves in the centre, stripped and scrapped them. Then they would put the strips in freshwater to make them soft and keep them straight for weaving.