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Ngangkin (Echidna)
Long time ago our ancestors used to hunt echidnas for their meat and fat. The fat was used as bush medicine. They rubbed it onto sore muscles to relieve pain.
The echidna also appears as part of a rock formation on one of the high mountains of Manjal Dimbi (Mossman Gorge). The rock formation represents a number of significant Ancestral Beings in their animal form and Kubirri, a man who came to help Kuku Yalanji when they were persecuted by the evil spirit, Wurrumbu.
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Karrangkal (Corals of the Great Barrier Reef)
Our beautiful Yalanji coastline has many places where the rainforest and the reef come very close together. The colourful corals on this fabric is a reminder of the rich ocean environments of the Great Barrier Reef that have nourished generations of our Kuku Yalanji families and culture.
This fabric helps to convey the traditional knowledge and complexe histories of how Kuku Yalanji used to live with the ocean, including the social rules and practical knowledge of how to hunt and cook various sea animals, distribute food and how to make important material cultural objects such as fish hooks, various traps etc.
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Basket Weaving
This design shows how the bottom part of a black palm basket is woven. My grandmothers and aunties used to make them. They cut off the young palm leaves in the centre, stripped and scrapped them. Then they would put the strips in freshwater to make them soft and keep them straight for weaving.
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Kaddanji (Black Cockatoo)
The black cockatoo is my totem. It has been passed down to me from my grandmother and her sisters, to my mum and her sisters and then it came to me and my sisters.
I use the black cockatoo often in my art not only because it is my Totem but also to thank my grandmother’s sisters (Kae Creek, Leyla Creek and Margaret Rocky). They are artists and I used to watch them when I was a young girl. This inspired me to become an artist myself.
So, the Black Cockatoo shows on a personal level how I honour to these women artists, who came before me and changed my life.
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Kaddanji (Black Cockatoo)
The black cockatoo is my totem. It has been passed down to me from my grandmother and her sisters, to my mum and her sisters and then it came to me and my sisters.
I use the black cockatoo often in my art not only because it is my Totem but also to thank my grandmother’s sisters (Kae Creek, Leyla Creek and Margaret Rocky). They are artists and I used to watch them when I was a young girl. This inspired me to become an artist myself.
So, the Black Cockatoo shows on a personal level how I honour to these women artists, who came before me and changed my life.
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Mossman River Design
The Mossman River is very important to me and my family. Laurence, my partner and the father of our 5 children, is one of the Traditional Owners of this area. We both grew up along the river and Laurence’s grandparents used to live in a hut next to the river. In the hot season, we used to camp there with our families. Laurence would teach me and later our children how to dive for turtle and fish. We would cross the river to hunt and collect bush food. Back at the camp, we would make fire, cook our damper and fish in an earth oven and share with our families.
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Mossman River Design
The Mossman River is very important to me and my family. Laurence, my partner and the father of our 5 children, is one of the Traditional Owners of this area. We both grew up along the river and Laurence’s grandparents used to live in a hut next to the river. In the hot season, we used to camp there with our families. Laurence would teach me and later our children how to dive for turtle and fish. We would cross the river to hunt and collect bush food. Back at the camp, we would make fire, cook our damper and fish in an earth oven and share with our families.
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Ngunyin (Dillybag)
Dillybags played a vital part in Kuku Yalanji culture. Women used them to carry food when out hunting and gathering or soak bitter yams in creeks before cooking them. Dillybags were also used to hold personal and sacred items.
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Ngunyin (Dillybag)
Dillybags played a vital part in Kuku Yalanji culture. Women used them to carry food when out hunting and gathering or soak bitter yams in creeks before cooking them. Dillybags were also used to hold personal and sacred items.