Bamanga Bubu Ngadimunku Aboriginal Corporation

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Kunjuri (Rainforest Shield)

Traditional shields were carved from a single piece of timber cut from side of the buttress root of a rainforest fig-tree. The kidney shaped shields are unique to the rainforest Bama of Far North Queensland. They were decorated with clan, totem or moiety designs using natural ochres and a water, fat or blood binder.

Shields were primarily used for deflecting spears in tribal fighting in conjunction with large rainforest swords. Shields were usually made and painted by senior men and were a significant personal possession of adult males.

 

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(VC): Kaddanji (Black Cockatoo)

The black cockatoo is my totem. It has been passed down to me from my grandmother and her sisters, to my mum and her sisters and then it came to me and my sisters.

I use the black cockatoo often in my art not only because it is my Totem but also to thank my grandmother’s sisters (Kae Creek, Leyla Creek and Margaret Rocky). They are artists and I used to watch them when I was a young girl. This inspired me to become an artist myself.

So, the Black Cockatoo shows on a personal level how I honour to these women artists, who came before me and changed my life.

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Salt water Turtle

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Coolamon & Quandong

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Kakan (Black Palm) Dillybag.

Our ancestors used Kakan (Black Palm) dilly bags to carry food when out hunting and gathering or soak bitter yams in creeks before cooking them. They were also used to hold personal items.

When I was a young girl my grandmother would teach me how to make Black Palm dillybags. We used to set up camp with other Kuku Yalanji women at a creek near Helenvale. It is very hard work. The men would help us cutting down the palm trees and separate the crownshaft from the trunk and the leaves. Then the women used to peel away the outer leaves until they felt strong threads they could pull out. They cleaned these threads from pulp with a mussel shell. When we moved away from Helenvale I forgot how to make them. Luckily years later I asked a relative of mine, Wilma Walker, who is great weaver, if she could refresh my memories. From then on I kept making dillybags as long as my health allowed it. I really enjoyed making them.

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Birmba (White Cockatoo)

Birmba (White Cockatoo) is my family totem. It has been passed down from generation to generation. 

White Cockatoos always remind me of my grandfather, my sisters and other family who have passed on. Th eyare like protective spirits for me, my family and my loved ones that have passed.They will give you signs: Good signs and signs of danger. They let you know when to move on.

When I’m out with my grandchildren, I say “Look, do you see that white cockatoo there? That’s your grandmother there, overlooking us”. I let them know that it is family watching over them , keeping them connected to each other and our country. When I’m alone, I know they’re around. I speak to their spirit and they give me strength.

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Salt Water Crocodile

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(LS): Rainforest Parrot

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(VC): Kaddanji (Black Cockatoo)

The black cockatoo is my totem. It has been passed down to me from my grandmother and her sisters, to my mum and her sisters and then it came to me and my sisters.

I use the black cockatoo often in my art not only because it is my Totem but also to thank my grandmother’s sisters (Kae Creek, Leyla Creek and Margaret Rocky). They are artists and I used to watch them when I was a young girl. This inspired me to become an artist myself.

So, the Black Cockatoo shows on a personal level how I honour to these women artists, who came before me and changed my life.

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Kaddanji (Black Cockatoo)

The black cockatoo is my totem. It has been passed down to me from my grandmother and her sisters, to my mum and her sisters and then it came to me and my sisters.

I use the black cockatoo often in my art not only because it is my Totem but also to thank my grandmother’s sisters (Kae Creek, Leyla Creek and Margaret Rocky). They are artists and I used to watch them when I was a young girl. This inspired me to become an artist myself.

So, the Black Cockatoo shows on a personal level how I honour to these women artists, who came before me and changed my life.