Bula’bula Arts

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Status: Stock

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Serena bag

FABRIC ARTWORK

This product was screenprinted by Yolŋu art workers at Bula’Bula Arts. We print small batches of tea towels, tshirts and fabric lengths by hand because we love putting Yolŋu designs on everyday items – especially ones that balanda (non-Yolŋu) use! Due to the lovely handmade nature of this product, print quality may vary.

 Available in four fabric designs and multiple colourways:

• Dawurrmonuk (itchy caterpillar) by Evonne Gayuwrri
• Lidjilidji (Crimson Finch) by Andrew Wanamilil
• Lorrpu (Sulphur-crested Cockatoo) by Peter Gambung
• Ngambi (limestone) spear by Shannon Ashley

Manymak (very good)! Buying Bula’Bula Arts products helps us build a sustainable income source for our 150 artists and artworkers from Ramingining and surrounding outstations.

 

WORKING WITH FLYING FOX FABRICS 

We work with Flying Fox Fabrics, a small social enterprise based in Darwin. Flying Fox Fabrics, make and sell accessories, clothing and homewares from fabrics designed by Aboriginal artists which have been hand printed in Australia. They work in partnership with Aboriginal artists and fair trade organisations in Cambodia that train and employ disabled artisans.

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Status: Stock

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Coin Purse

FABRIC ARTWORK

This product was screenprinted by Yolŋu art workers at Bula’Bula Arts. We print small batches of tea towels, tshirts and fabric lengths by hand because we love putting Yolŋu designs on everyday items – especially ones that balanda (non-Yolŋu) use! Due to the lovely handmade nature of this product, print quality may vary.

 Available in four fabric designs and multiple colourways:

• Dawurrmonuk (itchy caterpillar) by Evonne Gayuwrri
• Lidjilidji (Crimson Finch) by Andrew Wanamilil
• Lorrpu (Sulphur-crested Cockatoo) by Peter Gambung
• Ngambi (limestone) spear by Shannon Ashley

Manymak (very good)! Buying Bula’Bula Arts products helps us build a sustainable income source for our 150 artists and artworkers from Ramingining and surrounding outstations.

 

WORKING WITH FLYING FOX FABRICS 

We work with Flying Fox Fabrics, a small social enterprise based in Darwin. Flying Fox Fabrics, make and sell accessories, clothing and homewares from fabrics designed by Aboriginal artists which have been hand printed in Australia. They work in partnership with Aboriginal artists and fair trade organisations in Cambodia that train and employ disabled artisans.

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Status: Stock

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Poppet purse XS

Features:

• Fully lined
• Zip closure
• Internal zip pocket

FABRIC ARTWORK

This product was screenprinted by Yolŋu art workers at Bula’Bula Arts. We print small batches of tea towels, tshirts and fabric lengths by hand because we love putting Yolŋu designs on everyday items – especially ones that balanda (non-Yolŋu) use! Due to the lovely handmade nature of this product, print quality may vary.

 Available in four fabric designs and multiple colourways:

• Dawurrmonuk (itchy caterpillar) by Evonne Gayuwrri
• Lidjilidji (Crimson Finch) by Andrew Wanamilil
• Lorrpu (Sulphur-crested Cockatoo) by Peter Gambung
• Ngambi (limestone) spear by Shannon Ashley

Manymak (very good)! Buying Bula’Bula Arts products helps us build a sustainable income source for our 150 artists and artworkers from Ramingining and surrounding outstations.

 

WORKING WITH FLYING FOX FABRICS 

We work with Flying Fox Fabrics, a small social enterprise based in Darwin. Flying Fox Fabrics, make and sell accessories, clothing and homewares from fabrics designed by Aboriginal artists which have been hand printed in Australia. They work in partnership with Aboriginal artists and fair trade organisations in Cambodia that train and employ disabled artisans.

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Woven Mat

Traditionally, Nganiyal (conical mats) were used as an insect screen when erected, and as a sitting mat when folded. They are used in Ceremony as well as a functional item. 

Nowadays, artists weave many different shapes including flat, round and oblong. 

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Raypiny Dhawu (Fresh Water Story)

All Aboriginal people originate from a spiritual source, fixed in a particular place in their land or the sea. These ‘spiritual reservoirs’ are often in the form of special waterholes made by Wangarr (creative spirits) that were created long ago close to the beginning of time. These creator beings moved across the countryside, shaping the land and implanting in each tract of country, the spiritual life force for the people who were to own it. These creative spirits took many forms and when they gave the land to each group, they also gave songs, dances, ceremony, the associated laws and language.

 

The creation story for Ganalbingu people took place near the middle section of the Glyde River where it becomes the Goyder River. Their land, Ngaliyindi, sits astride the Arafura Swamp in Central Arnhem Land. Many Ganalbingu artists paint totemic species significant to their clan. These can include baru (crocodile), banda (long necked turtle), buliya (catfish), yalman (waterlilies), gumang (magpie geese), dakawa (fresh water yabby), ratjuk (barramundi), warrnyu (flying fox) and more.

 

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Robyn Djunginy began weaving bottle sculptures in 1983, after the Curator Djon Mundine, suggested to Djunginy that she may like to encase an empty gin bottle in Pandanus fibre ‘Chianti-style’ for an exhibition he was organising. Using a local twining technique, the artist began producing multiple woven bottles of various sizes. The sculptural qualities and the high workmanship of these objects have led them to be become recognised as key contemporary Aboriginal fibre works.

A decade after making her first bottle artworks, Djunginy began producing two-dimensional renderings of the woven sculptures on canvas.

Robyn has been the only artist from this area to produce and paint bottles, but has passed the bottle story on to her daughters.

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Raypiny Dhawu (Fresh Water Story)

All Aboriginal people originate from a spiritual source, fixed in a particular place in their land or the sea. These ‘spiritual reservoirs’ are often in the form of special waterholes made by Wangarr (creative spirits) that were created long ago close to the beginning of time. These creator beings moved across the countryside, shaping the land and implanting in each tract of country, the spiritual life force for the people who were to own it. These creative spirits took many forms and when they gave the land to each group, they also gave songs, dances, ceremony, the associated laws and language.

 

The creation story for Ganalbingu people took place near the middle section of the Glyde River where it becomes the Goyder River. Their land, Ngaliyindi, sits astride the Arafura Swamp in Central Arnhem Land. Many Ganalbingu artists paint totemic species significant to their clan. These can include baru (crocodile), banda (long necked turtle), buliya (catfish), yalman (waterlilies), gumang (magpie geese), dakawa (fresh water yabby), ratjuk (barramundi), warrnyu (flying fox) and more.

 

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Woven Mat

Traditionally, Nganiyal (conical mats) were used as an insect screen when erected, and as a sitting mat when folded. They are used in Ceremony as well as a functional item. 

Nowadays, artists weave many different shapes including flat, round and oblong. 

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Bathi (Pandanus Basket)

Bathi are woven from the split leaves of the Screw Palm (Pandanus Spiralis). Coil weaving was introduced to Arnhem Land in the 1930s. It was adapted from techniques used by Indigenous women throughout South East Australia.

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Bathi (Pandanus Basket)

Bathi are woven from the split leaves of the Screw Palm (Pandanus Spiralis). Coil weaving was introduced to Arnhem Land in the 1930s. It was adapted from techniques used by Indigenous women throughout South East Australia.