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Warraburnburn (spirit) This carving is representational of a “ghost spirit”.  Yolngu lore says they are a lot like Yolngu, they like to live in the bush and go hunting and fishing with their families.

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Bathi (Pandanus Basket) Bathi are woven from the split leaves of the Screw Palm (Pandanus Spiralis). Coil weaving was introduced to Arnhem Land in the 1930s. It was adapted from techniques used by Indigenous women throughout South East Australia.

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Dhawurr/batjbarra fish trap Fish traps are placed into the river to face the oncoming fish. The woven tunnel traps the fish and prevents their escape. The traps are tapered so when they are submerged in the water, the water pressure wedges them into place. Traditionally, the fish traps are operated at night Read more…

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Ganalbingu – Banda (Long Necked Turtle) The long necked turtle is a dreaming totem for the freshwater people, the Ganalbingu, whose country includes the World Heritage listed, Arafura Wetlands in Central Arnhem Land, Northern Territory The Yolngu (people) of Arnhem Land originate from a spiritual source, fixed in a particular Read more…

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Garrawura Minyt’ji Each Yolngu clan was created by their ancestors as they moved along the country whilst they were singing, dancing and talking. Each time they arrived at a new land, they created distinct rom (culture, law). A part of this rom is miny’tji (art, totemic designs, colours). Each clan Read more…

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Raypiny Dhawu (Fresh Water Story) All Aboriginal people originate from a spiritual source, fixed in a particular place in their land or the sea. These ‘spiritual reservoirs’ are often in the form of special waterholes made by Wangarr (creative spirits) that were created long ago close to the beginning of Read more…

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Ganalbingu – Banda (Long Necked Turtle) The long necked turtle is a dreaming totem for the freshwater people, the Ganalbingu, whose country includes the World Heritage listed, Arafura Wetlands in Central Arnhem Land, Northern Territory The Yolngu (people) of Arnhem Land originate from a spiritual source, fixed in a particular Read more…

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Pelican (Warbalulu) ga Wuldulbal/badju (bream) at The Crossing JB paints stories from his Dhuwa homeland in northeast Arnhem Land. Stories are passed on either paternally or maternally, and JB would have learnt these stories from his ancestors. The cross-hatching style is a traditional painting style of this area and can Read more…

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Barramundi Aboriginal art in Ramingining, Central Arnhem Land is commonly illustrated through designs and images of animals, plants, and landscape. These motifs commonly reflect the artists ancestral inheritance and their dreamings and are referred to as totems. For this weaving, Serena has woven a Barramundi. 

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Raypiny Dhawu (Fresh Water Story) All Aboriginal people originate from a spiritual source, fixed in a particular place in their land or the sea. These ‘spiritual reservoirs’ are often in the form of special waterholes made by Wangarr (creative spirits) that were created long ago close to the beginning of Read more…

© the artist / art centre