Garrawura Minyt’j Each Yolngu clan was created by their ancestors as they moved along the country whilst they were singing, dancing and talking. Each time they arrived at a new land, they created distinct rom (culture, law). A part of this rom is miny’tji (art, totemic designs, colours). Each clan Read more…
Shannon’s frilled necked lizards The Wagilag Sisters are central to the four important ceremonies of the Dhuwa moiety; the Djungguwan, the Gunabibi, the Ngulmarrk, and the Mandaialla. The story is primarily an account of how, in the distant past, the two Wagilag Sisters came out of the southern interior and Read more…
Raypiny Dhawu (Fresh Water Story) All Aboriginal people originate from a spiritual source, fixed in a particular place in their land or the sea. These ‘spiritual reservoirs’ are often in the form of special waterholes made by Wangarr (creative spirits) that were created long ago close to the beginning of Read more…
Raypiny Dhawu (Fresh Water Story) All Aboriginal people originate from a spiritual source, fixed in a particular place in their land or the sea. These ‘spiritual reservoirs’ are often in the form of special waterholes made by Wangarr (creative spirits) that were created long ago close to the beginning of Read more…
Ganalbingu – Banda (Long Necked Turtle) The long necked turtle is a dreaming totem for the freshwater people, the Ganalbingu, whose country includes the World Heritage listed, Arafura Wetlands in Central Arnhem Land, Northern Territory The Yolngu (people) of Arnhem Land originate from a spiritual source, fixed in a particular Read more…
Baltji (Yam) This painting depicts Baltji (Yam) which has been a reliable food source for Yolngu people for many centuries. Baltji can be found across the different landscapes of East Arnhem Land and are only harvested seasonally.
JB Fisher – Narrgi’ṉarrgi (possum- sugar glider) JB paints stories from his Dhuwa homeland in northeast Arnhem Land. Stories are passed on either paternally or maternally, and JB would have learnt these stories from his ancestors. The cross-hatching style is a traditional painting style of this area and can represent Read more…
Gumang (Magpie Geese) The Yolngu people of Arnhem Land originate from a spiritual source, fixed in a particular place in their land or the sea. These ‘Spiritual Reservoirs’ are often in the form of special waterholes made by Wangarr (Creative Beings) long ago close to the beginning of time. The Read more…
Hunting Story This painting depicts naku (canoes) that were made traditionally from the bark of a stringbark tree and used for hunting. In this painting, Andrew has depicted a Yolngu man hunting for gumang (magpie geese) eggs and also the geese. The wife waits with her dilly bag to transport the Read more…
Burala (Diving Ducks] This painting depicts diving ducks, both realistically and symbolically. A particular clan group uses the object in the painting during a hollow log ceremony (traditional funeral ceremony). The rrark (cross hatching) is the water. One group will perform the catfish dance whilst another performs as diving ducks. Read more…