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Nylalindi.

In this painting Bobby depicts the vastness of Gurwliny (Arafura Wetlands) in North East Arnhem Land and in particular his homeland of Nylalindi. These are the second biggest wetlands in the world, Florida has the biggest, and in this painting Bobby is showing the colours of the dry season sunsets and of the Earth and sky and the landscape scorched by fires used to control growth and for hunting, and the wilderness of the grasslands and paperbark tree forests which line the freshwater billabongs, so abundant in food and birdlife. 

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Wagilag ga Wititj Dhawu (Wagilag Sisters and Olive Python Story)

The Wagilag Sisters are central to the four important ceremonies of the Dhuwa moiety; the Djungguwan, the Gunabibi, the Ngulmarrk, and the Mandaialla.

The story is primarily an account of how, in the distant past, the two Wagilag Sisters came out of the southern interior and across the countryside to the Liyagalawumirr waterhole at Mirarrmina. There the younger sister profaned the pool of Wititj (the great Olive Python) by accidently allowing her blood to fall into the waterhole. Because of this, the women (and their children) were swallowed by Wititj.

All of the other sacred snakes stood up with their heads in the clouds and talked to each other with voices like thunder. The Pythons discovered that they had different languages and ‘skins’. Wititj confessed to eating the two women; his own moiety and fell to earth making a big depression in the ground. The big wind blew across the land making the first dry season. Wititj was ordered by the snakes to vomit the women and children back up. When he did this he also vomited up all the water from the waterhole, creating the monsoonal rains.

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Baru Dhawu (Crocodile Story)

Baru (the crocodile man), was from the Gumatj clan. People usually call him Gurdu Gurdu or Baru which means crocodile. He lived his life at a place called Yirrkala. Living near him were other people, and when Baru didn’t have enough to eat he began to kill and eat these other people. After a while others noticed that some people were missing. When Baru went to the toilet, the people could smell this strong smell, so they knew that he ate the other people. Some men went to get help and they took message sticks to the other tribes. Some were sending smoke signals. When they came to Baru’s camp they started to spear him in the left side of his ribs. He dropped into the fire and burnt his left hand and maybe his right hand. He then ran into the bush and yelled to his countrymen – the animals, birds and fish that live on the land and in the sea. He stopped and he named the tribes and clans and also the places until he came to a place called Gamarru/Guyurru. There he took a rest and said to himself “This is where I stop and call this place Gamarru/Guyurru”. Baru, still in pain from the fire, then jumped into the water and turned himself into a crocodile. The fire left scars on his back. Baru paintings belong to Gumatj and Warrawarra and also the Marpi clan. This painting is used at death ceremonies or initiations and it normally is painted on the belly, which means the person the design is painted on is part of Gurdu Gurdu (the crocodile people).

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Woven Mat

Traditionally, Nganiyal (conical mats) were used as an insect screen when erected, and as a sitting mat when folded. They are used in Ceremony as well as a functional item. 

Nowadays, artists weave many different shapes including flat, round and oblong. 

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Woven Mat

Traditionally, Nganiyal (conical mats) were used as an insect screen when erected, and as a sitting mat when folded. They are used in Ceremony as well as a functional item. 

Nowadays, artists weave many different shapes including flat, round and oblong. 

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Woven Mat

Traditionally, Nganiyal (conical mats) were used as an insect screen when erected, and as a sitting mat when folded. They are used in Ceremony as well as a functional item. 

Nowadays, artists weave many different shapes including flat, round and oblong. 

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Woven Mat

Traditionally, Nganiyal (conical mats) were used as an insect screen when erected, and as a sitting mat when folded. They are used in Ceremony as well as a functional item. 

Nowadays, artists weave many different shapes including flat, round and oblong. 

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Woven Mat

Traditionally, Nganiyal (conical mats) were used as an insect screen when erected, and as a sitting mat when folded. They are used in Ceremony as well as a functional item. 

Nowadays, artists weave many different shapes including flat, round and oblong. 

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Nawarlah (Brown River Stingray)

Aboriginal art in Ramingining, Central Arnhem Land is commonly illustrated through designs and images of animals, plants, and landscape. These motifs commonly reflect the artists ancestral inheritance and their dreamings and are referred to as totems.

For this, Serena has woven a stingray.