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Malka (Ceremonial Head Wear) Malka are ceremonial head adornments made from balgurr (Kurrajong). The bark is stripped from the tree, smashed with a rock to soften then boiled, sometimes with natural bush dyes. The balgurr is then rolled in the a rope then used to create ceremonial wear. 

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Woven Mat Traditionally, Nganiyal (conical mats) were used as an insect screen when erected, and as a sitting mat when folded. They are used in Ceremony as well as a functional item.  Nowadays, artists weave many different shapes including flat, round and oblong. 

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Bathi (Pandanus Basket) Bathi are woven from the split leaves of the Screw Palm (Pandanus Spiralis). Coil weaving was introduced to Arnhem Land in the 1930s. It was adapted from techniques used by Indigenous women throughout South East Australia.

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Woven Mat Traditionally, Nganiyal (conical mats) were used as an insect screen when erected, and as a sitting mat when folded. They are used in Ceremony as well as a functional item.  Nowadays, artists weave many different shapes including flat, round and oblong. 

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Sword fish Billy paints stories from his Dhuwa homeland in north east Arnhem Land. Stories are passed on either paternally or maternally, and Billy would have learnt these stories from his ancestors. The cross-hatching style (Rrark) is a traditional painting style of this area and can represent elements such as water, air Read more…

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Woven Mat Traditionally, Nganiyal (conical mats) were used as an insect screen when erected, and as a sitting mat when folded. They are used in Ceremony as well as a functional item.  Nowadays, artists weave many different shapes including flat, round and oblong. 

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Woven Mat Traditionally, Nganiyal (conical mats) were used as an insect screen when erected, and as a sitting mat when folded. They are used in Ceremony as well as a functional item.  Nowadays, artists weave many different shapes including flat, round and oblong. 

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Bathi (Pandanus Basket) Bathi are woven from the split leaves of the Screw Palm (Pandanus Spiralis). Coil weaving was introduced to Arnhem Land in the 1930s. It was adapted from techniques used by Indigenous women throughout South East Australia.

© the artist / art centre