Bula’bula Arts

---

---

Banda (Long Necked Turtle) ga Baru (crocodile)

The banda (long necked turtle) and baru (crocodile) are dreaming totems for the freshwater people, the Ganalbingu, whose country includes the World Heritage listed, Arafura Wetlands in Central Arnhem Land, Northern Territory

The Yolngu (people) of Arnhem Land originate from a spiritual source, fixed in a particular place in their land or the sea. These ‘Spiritual Reservoirs’ are often in the form of special waterholes made by Wangga (Creator Beings), long ago close to the beginning of time. These creator beings moved across the country side, shaping the land and implanting in each tract of country, the spiritual life force for the people who were to own it.

These creator spirits took many forms. When they gave the land to each group they also gave songs, dances, ceremony, the associated laws and language. The Creation story for Ganalbingu people took place near the middle section of the Glyde River where it becomes the Goyder River. Their land, Ngaliyindi, sits astride the Arafura Swamp in Central Arnhem Land. Some of their major Creative Beings include Banda (freshwater long neck turtle) and Yalman (water lilies).

---

---

Raypiny Dhawu (Fresh Water Story)

All Aboriginal people originate from a spiritual source, fixed in a particular place in their land or the sea. These ‘spiritual reservoirs’ are often in the form of special waterholes made by Wangarr (creative spirits) that were created long ago close to the beginning of time. These creator beings moved across the countryside, shaping the land and implanting in each tract of country, the spiritual life force for the people who were to own it. These creative spirits took many forms and when they gave the land to each group, they also gave songs, dances, ceremony, the associated laws and language.

 

The creation story for Ganalbingu people took place near the middle section of the Glyde River where it becomes the Goyder River. Their land, Ngaliyindi, sits astride the Arafura Swamp in Central Arnhem Land. Many Ganalbingu artists paint totemic species significant to their clan. These can include baru (crocodile), banda (long necked turtle), buliya (catfish), yalman (waterlilies), gumang (magpie geese), dakawa (fresh water yabby), ratjuk (barramundi), warrnyu (flying fox) and more.

 

---

---

Banda (long-necked turtle) ga Buliya (catfish)

In this painting, Evonne has painted her Mari (mothers, mother) dreaming of Banda (long-necked turtle), Buliya (catfish)  and Mundukul (water snake). This is a freshwater story from Ganalbingu country in the Arafura Wetlands. Evonne’s Mari taught Evonne’s mother, Joy Burruna, to paint at an early age. Joy passed on her knowledge and taught Evonne to paint at an early age, keeping alive Yolngu traditions for many generations.

---

---

Evonne’s Dhulumburrk (Waterlily)

This painting depicts Dhulumburrk (Nymphaea violacea), a fresh waterlily. The flowers and lily pads of fresh waterlilies can be seen far and wide across the Arafura wetlands, providing coverage for many animal species including Banda (long-necked turtle) and Baru (crocodile). The flowers come in many beautiful colours, in particular a vibrant purple. Evonne depicted her own way of interpreting waterlily roots and lotus roots.

 

---

---

Raypiny Dhawu (Fresh Water Story)

All Aboriginal people originate from a spiritual source, fixed in a particular place in their land or the sea. These ‘spiritual reservoirs’ are often in the form of special waterholes made by Wangarr (creative spirits) that were created long ago close to the beginning of time. These creator beings moved across the countryside, shaping the land and implanting in each tract of country, the spiritual life force for the people who were to own it. These creative spirits took many forms and when they gave the land to each group, they also gave songs, dances, ceremony, the associated laws and language.

 

The creation story for Ganalbingu people took place near the middle section of the Glyde River where it becomes the Goyder River. Their land, Ngaliyindi, sits astride the Arafura Swamp in Central Arnhem Land. Many Ganalbingu artists paint totemic species significant to their clan. These can include baru (crocodile), banda (long necked turtle), buliya (catfish), yalman (waterlilies), gumang (magpie geese), dakawa (fresh water yabby), ratjuk (barramundi), warrnyu (flying fox) and more.

 

---

---

Badurru (Milky Way)

This painting depicts Badurru (Milky Way), a significant storyline and songline for the Durrurrnga people. The dupun (hollow log) represents the Badurru bunggul (dance) performed during ceremony. The Badurru dhawu (story) is of a Waak Waak (crow) and cat travelling through the Milky Way and how all the different clans traded with each other.

---

---

Raypiny Dhawu (Fresh Water Story)

All Aboriginal people originate from a spiritual source, fixed in a particular place in their land or the sea. These ‘spiritual reservoirs’ are often in the form of special waterholes made by Wangarr (creative spirits) that were created long ago close to the beginning of time. These creator beings moved across the countryside, shaping the land and implanting in each tract of country, the spiritual life force for the people who were to own it. These creative spirits took many forms and when they gave the land to each group, they also gave songs, dances, ceremony, the associated laws and language.

 

The creation story for Ganalbingu people took place near the middle section of the Glyde River where it becomes the Goyder River. Their land, Ngaliyindi, sits astride the Arafura Swamp in Central Arnhem Land. Many Ganalbingu artists paint totemic species significant to their clan. These can include baru (crocodile), banda (long necked turtle), buliya (catfish), yalman (waterlilies), gumang (magpie geese), dakawa (fresh water yabby), ratjuk (barramundi), warrnyu (flying fox) and more.

 

---

---

Baru Dhawu (Crocodile Story)

Baru (the crocodile man), was from the Gumatj clan. People usually call him Gurdu Gurdu or Baru which means crocodile. He lived his life at a place called Yirrkala. Living near him were other people, and when Baru didn’t have enough to eat he began to kill and eat these other people. After a while others noticed that some people were missing. When Baru went to the toilet, the people could smell this strong smell, so they knew that he ate the other people. Some men went to get help and they took message sticks to the other tribes. Some were sending smoke signals. When they came to Baru’s camp they started to spear him in the left side of his ribs. He dropped into the fire and burnt his left hand and maybe his right hand. He then ran into the bush and yelled to his countrymen – the animals, birds and fish that live on the land and in the sea. He stopped and he named the tribes and clans and also the places until he came to a place called Gamarru/Guyurru. There he took a rest and said to himself “This is where I stop and call this place Gamarru/Guyurru”. Baru, still in pain from the fire, then jumped into the water and turned himself into a crocodile. The fire left scars on his back. Baru paintings belong to Gumatj and Warrawarra and also the Marpi clan. This painting is used at death ceremonies or initiations and it normally is painted on the belly, which means the person the design is painted on is part of Gurdu Gurdu (the crocodile people).

---

---

Ngambi (limestone spearheads)

This painting illustrates elements from the Wagilag Sisters’ Creation story.  Ngambi are the stone spear heads that the sisters collected at Ngilipitji on their way to Mirarrmina.

The Wagilag Sisters’ Story is primarily an account of how in the distant past the two Wagilag Sisters came out of the southern interior and came across the countryside to the Liyagalawumirr waterhole at Mirarrmina. There the younger sister profaned the pool of the great Python by accidently allowing her  blood to fall into the waterhole. Because of this the women and the children were swallowed by the Olive Python, Wititj, along with all the water from the waterhole. The other snakes heard about this and demanded Wititj spit out the sisters. Wititj vomited the women out, along with the water, creating the first monsoon rains.

---

---

Ngambi (limestone spearheads)

This painting illustrates elements from the Wagilag Sisters’ Creation story.  Ngambi are the stone spear heads that the sisters collected at Ngilipitji on their way to Mirarrmina.

The Wagilag Sisters’ Story is primarily an account of how in the distant past the two Wagilag Sisters came out of the southern interior and came across the countryside to the Liyagalawumirr waterhole at Mirarrmina. There the younger sister profaned the pool of the great Python by accidently allowing her  blood to fall into the waterhole. Because of this the women and the children were swallowed by the Olive Python, Wititj, along with all the water from the waterhole. The other snakes heard about this and demanded Wititj spit out the sisters. Wititj vomited the women out, along with the water, creating the first monsoon rains.