Aboriginal art in Ramingining, Central Arnhem Land is commonly illustrated through designs and images of animals, plants, and landscape. These motifs commonly reflect the artists ancestral inheritance and their dreamings and are referred to as totems.
For this painting, JB has Catfish and a Pelican.
Traditionally, Nganiyal (conical mats) were used as an insect screen when erected, and as a sitting mat when folded. They are used in Ceremony as well as a functional item.
Nowadays, artists weave many different shapes including flat, round and oblong.
Yidaki have been used instrumentally throughout ceremonial practices for millennia. Made from the Gadayka (Stringy Bark) or Gunurru trees that have been hollowed out by white ants and then cut to size and cleaned out to give the desired sound.
These are used for Bungguls (ceremonies), at Dhapi (initiation) and Maradjirri (exchange rituals).
Traditionally, Nganiyal (conical mats) were used as an insect screen when erected, and as a sitting mat when folded. They are used in Ceremony as well as a functional item.
Nowadays, artists weave many different shapes including flat, round and oblong.
Giny’kiny (cat fish) are a totemic species significant to the Gupapuyngu clan. They are represented through storylines and songlines through art and bunggul (dance). The lines in the painting depict the ripples in which the Giny’kiny created when swimming through the shallow waters. During bunggul (dance) the ripples are depicted through the use of string and the barbs of the Giny’kiny are represented by holding out spears. Peter says “when we dance we imagine we are catfish, our mind leaves our human body and goes to our spirit”. The songline is performed at different bungguls such as dhapi (boys initiation ceremony) and bapurru (funeral) in which is performed to assist the deceased persons spirit to go home.
Malka are ceremonial head adornments made from balgurr (Kurrajong). The bark is stripped from the tree, smashed with a rock to soften then boiled, sometimes with natural bush dyes. The balgurr is then rolled in the a rope then used to create ceremonial wear.
Matjka are ceremonial body adornments made from balgurr (Kurrajong). The bark is stripped from the tree, smashed with a rock to soften then boiled, sometimes with natural bush dyes. The balgurr is then rolled in the a rope then used to create ceremonial wear.
Malka are ceremonial head adornments made from balgurr (Kurrajong). The bark is stripped from the tree, smashed with a rock to soften then boiled, sometimes with natural bush dyes. The balgurr is then rolled in the a rope then used to create ceremonial wear.
Malka are ceremonial head adornments made from balgurr (Kurrajong). The bark is stripped from the tree, smashed with a rock to soften then boiled, sometimes with natural bush dyes. The balgurr is then rolled in the a rope then used to create ceremonial wear.
Traditionally, Nganiyal (conical mats) were used as an insect screen when erected, and as a sitting mat when folded. They are used in Ceremony as well as a functional item.
Nowadays, artists weave many different shapes including flat, round and oblong.