Bula'bula Arts
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Dhirrithirri (ceremonial skirt) Dhirrithirri is a ceremonial skirt made from balgurr (kurrajong). They are worn by both men and women for different ceremonies particularly dhapi (boys initiation ceremony).
Dhirrithirri (ceremonial skirt) Dhirrithirri is a ceremonial skirt made from balgurr (kurrajong). They are worn by both men and women for different ceremonies particularly dhapi (boys initiation ceremony).
Dhirrithirri (ceremonial skirt) Dhirrithirri is a ceremonial skirt made from balgurr (kurrajong). They are worn by both men and women for different ceremonies particularly dhapi (boys initiation ceremony).
Dhirrithirri (ceremonial skirt) Dhirrithirri is a ceremonial skirt made from balgurr (kurrajong). They are worn by both men and women for different ceremonies particularly dhapi (boys initiation ceremony).
Koskela Lampshade This beautiful lampshade is made with traditional Bush string made from the fibres between the bark and the trunk of the kurrajong tree. Once harvested from the jungle the fibres are dyed with roots, barks, leaves or fruits making the natural dyes. They are then rolled into this Read more…
Bathi (Pandanus Basket) Bathi are woven from the split leaves of the Screw Palm (Pandanus Spiralis). Coil weaving was introduced to Arnhem Land in the 1930s. It was adapted from techniques used by Indigenous women throughout South East Australia.
Bathi (Pandanus Basket) Bathi are woven from the split leaves of the Screw Palm (Pandanus Spiralis). Coil weaving was introduced to Arnhem Land in the 1930s. It was adapted from techniques used by Indigenous women throughout South East Australia.
Woven Mat Traditionally, Nganiyal (conical mats) were used as an insect screen when erected, and as a sitting mat when folded. They are used in Ceremony as well as a functional item. Nowadays, artists weave many different shapes including flat, round and oblong.
Bathi (Pandanus Basket) Bathi are woven from the split leaves of the Screw Palm (Pandanus Spiralis). Coil weaving was introduced to Arnhem Land in the 1930s. It was adapted from techniques used by Indigenous women throughout South East Australia.