Bula’bula Arts

Lidji Lidji (Finch) This artwork represents totemic finches. These birds herald the beginning of the dry season and are associated with the Ganalbingu clan. Lidji Lidji are also represented in ceremonial song and dance.

Woven Mat Traditionally, Nganiyal (conical mats) were used as an insect screen when erected, and as a sitting mat when folded. They are used in Ceremony as well as a functional item.  Nowadays, artists weave many different shapes including flat, round and oblong. 

Bottles Robyn Djunginy began weaving bottle sculptures in 1983, after the Curator Djon Mundine, suggested to Djunginy that she may like to encase an empty gin bottle in Pandanus fibre ‘Chianti-style’ for an exhibition he was organising. Using a local twining technique, the artist began producing multiple woven bottles of Read more…

Woven Mat Traditionally, Nganiyal (conical mats) were used as an insect screen when erected, and as a sitting mat when folded. They are used in Ceremony as well as a functional item.  Nowadays, artists weave many different shapes including flat, round and oblong. 

Woven Mat Traditionally, Nganiyal (conical mats) were used as an insect screen when erected, and as a sitting mat when folded. They are used in Ceremony as well as a functional item.  Nowadays, artists weave many different shapes including flat, round and oblong. 

Woven Mat Traditionally, Nganiyal (conical mats) were used as an insect screen when erected, and as a sitting mat when folded. They are used in Ceremony as well as a functional item.  Nowadays, artists weave many different shapes including flat, round and oblong. 

Bathi (Pandanus Basket) Bathi are woven from the split leaves of the Screw Palm (Pandanus Spiralis). Coil weaving was introduced to Arnhem Land in the 1930s. It was adapted from techniques used by Indigenous women throughout South East Australia.

Bapurru Nganiyal (Family mat) Yolngu have complex, interconnected family structures spanning across Arnhem Land and this is the inspiration for Mary’s weaving. Mary has joined individual pieces together, to create a piece that represents and reflects her familial connections, bonds and interdependence. Her interconnected weaving represents a family portrait. The Read more…

Jabiru This is a story for the Wanybarrnga clan family.  The Jabiru is in the water and he flaps his wings, hitting the water and causes it to ripple. After a funeral ceremony, leaders for this clan family draw the Jabiru’s water ripples into the sand/earth. This symbolises a cleansing Read more…

Raypiny Dhawu (Fresh Water Story) All Aboriginal people originate from a spiritual source, fixed in a particular place in their land or the sea. These ‘spiritual reservoirs’ are often in the form of special waterholes made by Wangarr (creative spirits) that were created long ago close to the beginning of Read more…