Bula’bula Arts

Woven Barramundi

Baru Dhawu (Crocodile Story) Baru (the crocodile man), was from the Gumatj clan. People usually call him Gurdu Gurdu or Baru which means crocodile. He lived his life at a place called Yirrkala. Living near him were other people, and when Baru didn’t have enough to eat he began to Read more…

Ngambi (limestone spearheads) This painting illustrates elements from the Wagilag Sisters’ Creation story.  Ngambi are the stone spear heads that the sisters collected at Ngilipitji on their way to Mirarrmina. The Wagilag Sisters’ Story is primarily an account of how in the distant past the two Wagilag Sisters came out Read more…

Raypiny Dhawu (Fresh Water Story) All Aboriginal people originate from a spiritual source, fixed in a particular place in their land or the sea. These ‘spiritual reservoirs’ are often in the form of special waterholes made by Wangarr (creative spirits) that were created long ago close to the beginning of Read more…

Karr (spiders) Yolngu often reflect traditional ceremonial and artistic activities which continue to be practised across the country carrying the spiritual forces of the ancestral beings from one generation to the next. In each artwork intricate cross-hatched images unify figurative elements to tell of a world of ancestral transformations.  This artwork features spiders Read more…

Raypiny Dhawu (Fresh Water Story) All Aboriginal people originate from a spiritual source, fixed in a particular place in their land or the sea. These ‘spiritual reservoirs’ are often in the form of special waterholes made by Wangarr (creative spirits) that were created long ago close to the beginning of Read more…

Baru Dhawu (Crocodile Story) Baru (the crocodile man), was from the Gumatj clan. People usually call him Gurdu Gurdu or Baru which means crocodile. He lived his life at a place called Yirrkala. Living near him were other people, and when Baru didn’t have enough to eat he began to Read more…

Dhawurr/batjbarra fish trap Fish traps are placed into the river to face the oncoming fish. The woven tunnel traps the fish and prevents their escape. The traps are tapered so when they are submerged in the water, the water pressure wedges them into place. Traditionally, the fish traps are operated at night Read more…

Serena’s Nawarlah (Brown River Stingray) Aboriginal art in Ramingining, Central Arnhem Land is commonly illustrated through designs and images of animals, plants, and landscape. These motifs commonly reflect the artists ancestral inheritance and their dreamings and are referred to as totems. For this, Serena has woven a stingray.

Woven Mat Traditionally, Nganiyal (conical mats) were used as an insect screen when erected, and as a sitting mat when folded. They are used in Ceremony as well as a functional item.  Nowadays, artists weave many different shapes including flat, round and oblong.