Djilpin Arts Aboriginal Corporation

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Lorrkon

Wood carving has always been part of Aboriginal culture and Djilpin artists continue this tradition. Men carved wood for many purposes – tools for hunting or gathering food, axes and knives for building shelters, spears and clubs for protection of their lives and territory, objects for ceremony and to mark sacred sites.

Hunting implements include the boomerang, woomera and spear. The woomera is a lever which helps to increase the speed and distance the spear travels. Clapsticks are used as percussion instruments by the Songmen to accompany dancing along with the didgeridoo (mago).

As well as the more functional carvings, artists portray animals and birds in wood, and these carvings are often painted. Ceremonial carvings include spirit creatures including mukuy (devil devils) and mimi.

Some fine mimi figures have been cast in bronze.

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Bush Pipes

Wood carving has always been part of Aboriginal culture and Djilpin artists continue this tradition. Men carved wood for many purposes – tools for hunting or gathering food, axes and knives for building shelters, spears and clubs for protection of their lives and territory, objects for ceremony and to mark sacred sites.

Hunting implements include the boomerang, woomera and spear. The woomera is a lever which helps to increase the speed and distance the spear travels. Clapsticks are used as percussion instruments by the Songmen to accompany dancing along with the didgeridoo (mago).

As well as the more functional carvings, artists portray animals and birds in wood, and these carvings are often painted. Ceremonial carvings include spirit creatures including mukuy (devil devils) and mimi.

Some fine mimi figures have been cast in bronze.

This piece has been cut from a green plum tree, and hollowed out using a burning hot wire. Cone piece is from a rifle shell, and has been finished using modern acrylic paint.

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Bush Pipes

Wood carving has always been part of Aboriginal culture and Djilpin artists continue this tradition. Men carved wood for many purposes – tools for hunting or gathering food, axes and knives for building shelters, spears and clubs for protection of their lives and territory, objects for ceremony and to mark sacred sites.

Hunting implements include the boomerang, woomera and spear. The woomera is a lever which helps to increase the speed and distance the spear travels. Clapsticks are used as percussion instruments by the Songmen to accompany dancing along with the didgeridoo (mago).

As well as the more functional carvings, artists portray animals and birds in wood, and these carvings are often painted. Ceremonial carvings include spirit creatures including mukuy (devil devils) and mimi.

Some fine mimi figures have been cast in bronze.

This piece has been cut from a green plum tree, and hollowed out using a burning hot wire. Cone piece is from a rifle shell, and has been finished using modern acrylic paint.

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Clapsticks

Wood carving has always been part of Aboriginal culture. Men carved wood for many purposes – tools for hunting or gathering food, axes and knives for building shelters, spears and clubs for protection of their lives and territory, objects for ceremony and to mark sacred sites.

Artists source the timber on country, walking from tree to tree to find the right piece for the desired functional outcome. Once found, it is cut and then brought back to camp to be worked, shaped, sanded and finally finished.

Clapsticks are used in traditional ceremony and dance as a percussion instrument to accompany Mago (didjeridu). Denser woods such as Ironwood or Kerosene wood are preferred due to their crisper clap sound. Clapsticks can be left raw or painted and decorated. Straight timber from younger trees is preferred as it requires less work to make functional.

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Clapsticks

Wood carving has always been part of Aboriginal culture. Men carved wood for many purposes – tools for hunting or gathering food, axes and knives for building shelters, spears and clubs for protection of their lives and territory, objects for ceremony and to mark sacred sites.

Artists source the timber on country, walking from tree to tree to find the right piece for the desired functional outcome. Once found, it is cut and then brought back to camp to be worked, shaped, sanded and finally finished.

Clapsticks are used in traditional ceremony and dance as a percussion instrument to accompany Mago (didjeridu). Denser woods such as Ironwood or Kerosene wood are preferred due to their crisper clap sound. Clapsticks can be left raw or painted and decorated. Straight timber from younger trees is preferred as it requires less work to make functional.

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Clapsticks

Wood carving has always been part of Aboriginal culture. Men carved wood for many purposes – tools for hunting or gathering food, axes and knives for building shelters, spears and clubs for protection of their lives and territory, objects for ceremony and to mark sacred sites.

Artists source the timber on country, walking from tree to tree to find the right piece for the desired functional outcome. Once found, it is cut and then brought back to camp to be worked, shaped, sanded and finally finished.

Clapsticks are used in traditional ceremony and dance as a percussion instrument to accompany Mago (didjeridu). Denser woods such as Ironwood or Kerosene wood are preferred due to their crisper clap sound. Clapsticks can be left raw or painted and decorated. Straight timber from younger trees is preferred as it requires less work to make functional.

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Clapsticks

Wood carving has always been part of Aboriginal culture. Men carved wood for many purposes – tools for hunting or gathering food, axes and knives for building shelters, spears and clubs for protection of their lives and territory, objects for ceremony and to mark sacred sites.

Artists source the timber on country, walking from tree to tree to find the right piece for the desired functional outcome. Once found, it is cut and then brought back to camp to be worked, shaped, sanded and finally finished.

Clapsticks are used in traditional ceremony and dance as a percussion instrument to accompany Mago (didjeridu). Denser woods such as Ironwood or Kerosene wood are preferred due to their crisper clap sound. Clapsticks can be left raw or painted and decorated. Straight timber from younger trees is preferred as it requires less work to make functional.

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Clapsticks

Wood carving has always been part of Aboriginal culture. Men carved wood for many purposes – tools for hunting or gathering food, axes and knives for building shelters, spears and clubs for protection of their lives and territory, objects for ceremony and to mark sacred sites.

Artists source the timber on country, walking from tree to tree to find the right piece for the desired functional outcome. Once found, it is cut and then brought back to camp to be worked, shaped, sanded and finally finished.

Clapsticks are used in traditional ceremony and dance as a percussion instrument to accompany Mago (didjeridu). Denser woods such as Ironwood or Kerosene wood are preferred due to their crisper clap sound. Clapsticks can be left raw or painted and decorated. Straight timber from younger trees is preferred as it requires less work to make functional.

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Status: Stock

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Nitmiluk Range, Lilies by Augustina Kennedy

Lilies by Augustina Kennedy

The Nitmiluk Range is a collaboration between the Banatjarl Strongbala Wimun Grup and Djilpin Arts. The range features scarves and sarongs in designs by Djilpin’s artists at Beswick, offered exclusively through the Nitmiluk Gift Shop. This collaboration promotes local Aboriginal enterprises on Jawoyn Country, supporting training, development and strengthens the connections between our communities in the Katherine Region. A percentage of your purchase is paid direct to the Artist.

The Nitmiluk Range Sarong features digitally printed designs by Djilpin artists from Beswick Community. Printed on Modal, a super soft biofabric sourced from beech trees (also known as Viscose), the fabric features a diamond weave for durability on a generous wrap of 1 x 2 metres.

Material: Modal (Viscose)

Size 100cm x 200cm

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Status: Stock

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Nitmiluk Range, Pandanus Mat by Loretta George

Pandanus Mat by Loretta George

The Nitmiluk Range is a collaboration between the Banatjarl Strongbala Wimun Grup and Djilpin Arts. The range features scarves and sarongs in designs by Djilpin’s artists at Beswick, offered exclusively through the Nitmiluk Gift Shop. This collaboration promotes local Aboriginal enterprises on Jawoyn Country, supporting training, development and strengthens the connections between our communities in the Katherine Region. A percentage of your purchase is paid direct to the Artist.

 

The Nitmiluk Range Sarong features digitally printed designs by Djilpin artists from Beswick Community. Printed on Modal, a super soft biofabric sourced from beech trees (also known as Viscose), the fabric features a diamond weave for durability on a generous wrap of 1 x 2 metres.

Material: Modal (Viscose)

Size 100cm x 200cm