Mimih Spirit The mimih spirit exists in a realm that runs parallel to and mirrors many facets of human life, demonstrating the deep sense of time and place understood by Aboriginal and Torres Strait Islander people. Such spirits feature importantly in relation to Aboriginal spirituality, cosmology, social and moral tales Read more…
Ngalbenbe (Sun) Kune and Rembarrnga religion and cosmology includes beliefs about how the universe began, how it was created and how it continues. Many stories are oracular and multi layered, and it continues to guide and inform group thought, behavior and defines existence, knowledge, values, reason and of course language.The Read more…
Milmilngkan Artist Semeria Wurrkidj has depicted Milmilngkan, an outstation some 50km inland from Maningrida, and home of her late father, John Mawurndjul AM. It is a picturesque site near a billabong, and it is said that underneath the water lies the power of Ngalyod (the rainbow serpent). Semeria depicts the power of the place Read more…
Gomarla (Egret bird) The artist has carved the ‘Gomarla’, which in the Burarra word for Egret. This bird is native to the country of Yilan, which is the coastal region North West of Maningrida Community. People use feathers from gomarla to make ceremonial regalia for Yirrichinga. Many Yirrichinga groups own manikay ‘song’ for gomarla. Gomarla mun-baparrurr Gopungorra. Jin-gubatbatcha jin-banga Read more…
Mat Works in fibre from the Maningrida region are widely recognised as some of the finest in Australia. Artists confidently push the boundaries of fibre craft and cultural expression, adapting traditional techniques and forms to produce strikingly inventive and aesthetically exquisite artworks. Commonly used fibres include the leaves of pandanus Read more…
Mat Works in fibre from the Maningrida region are widely recognised as some of the finest in Australia. Artists confidently push the boundaries of fibre craft and cultural expression, adapting traditional techniques and forms to produce strikingly inventive and aesthetically exquisite artworks. Commonly used fibres include the leaves of pandanus Read more…
Wak Wak This weaving depicts a sacred site at ‘Kurrurldul’, an outstation south of Maningrida. The ‘rarrk’, or abstract crosshatching, on this work represents the design for the crow totem ancestor called ‘Djimarr’. Today this being exists in the form of a rock, which is permanently submerged at the bottom Read more…
Mat Works in fibre from the Maningrida region are widely recognised as some of the finest in Australia. Artists confidently push the boundaries of fibre craft and cultural expression, adapting traditional techniques and forms to produce strikingly inventive and aesthetically exquisite artworks. Commonly used fibres include the leaves of pandanus Read more…
Wak Wak This painting depicts a sacred site at ‘Kurrurldul’, an outstation south of Maningrida. The ‘rarrk’, or abstract crosshatching, on this work represents the design for the crow totem ancestor called ‘Djimarr’. Today this being exists in the form of a rock, which is permanently submerged at the bottom Read more…
Wak Wak This painting depicts a sacred site at ‘Kurrurldul’, an outstation south of Maningrida. The ‘rarrk’, or abstract crosshatching, on this work represents the design for the crow totem ancestor called ‘Djimarr’. Today this being exists in the form of a rock, which is permanently submerged at the bottom Read more…