Bark Painting Aboriginal bark paintings have a long cultural tradition, believed to extend back many thousands of years.In northern Australia, paintings on bark shelters in the Kimberley and Arnhem Land were stylistically similar to rock shelter paintings. The Aboriginal bark paintings were used to convey and illustrate stories which were Read more…
Yawkyawk (Ngalkunburriyaymi) This is a depiction of Ngalkunburriyaymi or Yawkyawk, the fish-women spirit. Sometimes compared to the European notion of mermaids, they exist as spiritual beings living in freshwater streams, particularly those in the stone country. These water spirits are perhaps the most enigmatic, and are usually described and depicted with the tails of fish. Thus Read more…
Mat Mats can vary greatly. Artists commonly use a mix of naturally dyed and undyed fibre to create a striking variation of coloured bands. Some artists also incorporate different types of looping to produce different patterns and textured finishes. Each type of mat, fibre bag, basket and dilly bag has Read more…
Mat Mats can vary greatly. Artists commonly use a mix of naturally dyed and undyed fibre to create a striking variation of coloured bands. Some artists also incorporate different types of looping to produce different patterns and textured finishes. Each type of mat, fibre bag, basket and dilly bag has Read more…
Ngokngok (Owl) Ngokngok or mun-ngokngok is the Southern Boobook owl. Their clan is Warrawarra and the are connected to witch doctors and traditional healers.
Wak Wak This painting depicts a sacred site at ‘Kurrurldul’, an outstation south of Maningrida. The ‘rarrk’, or abstract crosshatching, on this work represents the design for the crow totem ancestor called ‘Djimarr’. Today this being exists in the form of a rock, which is permanently submerged at the bottom Read more…
Wak Wak This painting depicts a sacred site at ‘Kurrurldul’, an outstation south of Maningrida. The ‘rarrk’, or abstract crosshatching, on this work represents the design for the crow totem ancestor called ‘Djimarr’. Today this being exists in the form of a rock, which is permanently submerged at the bottom Read more…
Wak Wak This painting depicts a sacred site at ‘Kurrurldul’, an outstation south of Maningrida. The ‘rarrk’, or abstract crosshatching, on this work represents the design for the crow totem ancestor called ‘Djimarr’. Today this being exists in the form of a rock, which is permanently submerged at the bottom Read more…
Wak Wak This painting depicts a sacred site at ‘Kurrurldul’, an outstation south of Maningrida. The ‘rarrk’, or abstract crosshatching, on this work represents the design for the crow totem ancestor called ‘Djimarr’. Today this being exists in the form of a rock, which is permanently submerged at the bottom Read more…
Wak Wak This painting depicts a sacred site at ‘Kurrurldul’, an outstation south of Maningrida. The ‘rarrk’, or abstract crosshatching, on this work represents the design for the crow totem ancestor called ‘Djimarr’. Today this being exists in the form of a rock, which is permanently submerged at the bottom Read more…