111982250540

Galawon (Goanna) This painting depicts two goannas embedded in an intricate depiction of gungara, the mini cyclones common during the wet season in Arnhem Land. Gungara also relates specifically to the Bilwoyinj site. At this site, two of the most important Kuninjku creation beings, a father and son, hunted and Read more…

111982250538

Mandjabugudukguduk  Manjabukudukkurduk refers to a deep black waterhole that has deep spiritual significance as the site where Kuninjku people’s spirit comes into being and returns in death. The artists explains, “When we die our spirit will go back there… so this spirit will live forever, like we are still alive, Read more…

111982250534

Warraburnburn In Burarra and Gun-nartpa languages the figure represented in this artwork is generally known as a wangarra ‘ghost spirit’. For the Warrawarra clan ghost spirits have their own particular characteristics and their own name – Warraburnburn. The Warraburnburn and the closely related Galabarrbarr spirit (owned by the Balkarranga clan) are also manikay song Read more…

111982250532

Warraburnburn In Burarra and Gun-nartpa languages the figure represented in this artwork is generally known as a wangarra ‘ghost spirit’. For the Warrawarra clan ghost spirits have their own particular characteristics and their own name – Warraburnburn. The Warraburnburn and the closely related Galabarrbarr spirit (owned by the Balkarranga clan) are also manikay song Read more…

111982250527

Bark Painting Aboriginal bark paintings have a long cultural tradition, believed to extend back many thousands of years.In northern Australia, paintings on bark shelters in the Kimberley and Arnhem Land were stylistically similar to rock shelter paintings. The Aboriginal bark paintings were used to convey and illustrate stories which were Read more…

111982250526

Bark Painting Aboriginal bark paintings have a long cultural tradition, believed to extend back many thousands of years.In northern Australia, paintings on bark shelters in the Kimberley and Arnhem Land were stylistically similar to rock shelter paintings. The Aboriginal bark paintings were used to convey and illustrate stories which were Read more…

111982250525

Lorrkon (Hollow Log) The Lorrkon or bone pole coffin ceremony was the final ceremony in a sequence of mortuary rituals celebrated by the people of Arnhem Land. This ceremony involves the placing of the deceased’s bones into a hollow log which was decorated with painted clan designs and ceremonially placed Read more…

111982250524

Mimih Spirit The mimih spirit exists in a realm that runs parallel to and mirrors many facets of human life, also demonstrating the deep sense of time and place understood by Aboriginal and Torres Strait Islander people. Such spirits feature importantly in relation to Aboriginal spirituality, cosmology, social and moral Read more…

111982250522

Mimih Spirit The mimih spirit exists in a realm that runs parallel to and mirrors many facets of human life, also demonstrating the deep sense of time and place understood by Aboriginal and Torres Strait Islander people. Such spirits feature importantly in relation to Aboriginal spirituality, cosmology, social and moral Read more…

111982250521

Mimih Spirit The mimih spirit exists in a realm that runs parallel to and mirrors many facets of human life, also demonstrating the deep sense of time and place understood by Aboriginal and Torres Strait Islander people. Such spirits feature importantly in relation to Aboriginal spirituality, cosmology, social and moral Read more…

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