Ngalkodjek Yawkyawk (Kundjikka) This artwork depicts the Ngalkodjek Yawkyawk of Barrihdjowkkeng country. Kundjikka refers to the breast featured in the Ngalkodjek story, as told by Owen below. “This story is very old. That old man [my father Crusoe Kuningbal] when he was alive, told that story to me, to all Read more…
Rajarra (Barramundi) Rajarra (barramundi in Burarra language), is an important food source in this region. These fish are caught throughout the artist’s clan estate, either in fishtraps woven from pandanus or sedge grass, or else hunted with spears and fishing lines in billabongs and streams where they shelter from the Read more…
Warraburnburn In Burarra and Gun-nartpa languages the figure represented in this artwork is generally known as a wangarra ‘ghost spirit’. For the Warrawarra clan ghost spirits have their own particular characteristics and their own name – Warraburnburn. The Warraburnburn and the closely related Galabarrbarr spirit (owned by the Balkarranga clan) are also manikay song Read more…
An-gujechiya (Fish Trap) To make fish traps and fish net fences artists firstly get vine (mirlarl) from the jungle and they put it in water for one night to make it soft. Next they start weaving it; they make rings for the inside to keep the fish trap’s shape. Artists Read more…
Mat Works in fibre from the Maningrida region are widely recognised as some of the finest in Australia. Artists confidently push the boundaries of fibre craft and cultural expression, adapting traditional techniques and forms to produce strikingly inventive and aesthetically exquisite artworks. Commonly used fibres include the leaves of pandanus Read more…
Ngalkunburriyaymi (Water spirit) This is a depiction of Ngalkunburriyaymi, the fish-woman spirit. Sometimes compared to the European notion of mermaids, they exist as spiritual beings living in freshwater streams, particularly those in the stone country. The Yawkyawk spirits are usually described and depicted with the tails of fish, as in this depiction. Thus Kuninjku people Read more…
An-gujechiya (Fish Trap) To make fish traps and fish net fences artists firstly get vine (mirlarl) from the jungle and they put it in water for one night to make it soft. Next they start weaving it; they make rings for the inside to keep the fish trap’s shape. Artists Read more…
An-gujechiya (Fish Trap) To make fish traps and fish net fences artists firstly get vine (mirlarl) from the jungle and they put it in water for one night to make it soft. Next they start weaving it; they make rings for the inside to keep the fish trap’s shape. Artists Read more…
Mimih Spirit The mimih spirit exists in a realm that runs parallel to and mirrors many facets of human life, demonstrating the deep sense of time and place understood by Aboriginal and Torres Strait Islander people. Such spirits feature importantly in relation to Aboriginal spirituality, cosmology, social and moral tales Read more…
Mimih Spirit The mimih spirit exists in a realm that runs parallel to and mirrors many facets of human life, demonstrating the deep sense of time and place understood by Aboriginal and Torres Strait Islander people. Such spirits feature importantly in relation to Aboriginal spirituality, cosmology, social and moral tales Read more…