Coil Basket Coiling technique was introduced in the 1920s at Goulburn Island to the Maung people by missionaries and quickly spread to the mainland. Many artists produce coiled baskets of varied shapes, ranging from small round baskets to large oval baby baskets made from dyed pandanus. Artists combine colours and Read more…
Coil Basket Coiling technique was introduced in the 1920s at Goulburn Island to the Maung people by missionaries and quickly spread to the mainland. Many artists produce coiled baskets of varied shapes, ranging from small round baskets to large oval baby baskets made from dyed pandanus. Artists combine colours and Read more…
Coil Basket Coiling technique was introduced in the 1920s at Goulburn Island to the Maung people by missionaries and quickly spread to the mainland. Many artists produce coiled baskets of varied shapes, ranging from small round baskets to large oval baby baskets made from dyed pandanus. Artists combine colours and Read more…
Ngalkodjek Spirit Pole Transcription of text by Jack Nawilil about two ceremonial objects— Karlanj and Ngalkodjek. Transcribed by Murray Garde and Margaret Carew 2 & 5 December 2017. Notes by Margaret Carew on 5 Dec 2017 Note: The site Jack refers to as Kœnœdjangka is in the Rembarrnga language. Read more…
Mako (didjeridu) Arnhem Land and the Top End of the Northern Territory is the traditional home of the didjeridu, a rhythmic wind instrument used by Aboriginal people of the region. Its use spread globally in part because the instrument was adopted by world music enthusiasts, and the profile of the Read more…
Mako (didjeridu) Arnhem Land and the Top End of the Northern Territory is the traditional home of the didjeridu, a rhythmic wind instrument used by Aboriginal people of the region. Its use spread globally in part because the instrument was adopted by world music enthusiasts, and the profile of the Read more…
Mako (didjeridu) Arnhem Land and the Top End of the Northern Territory is the traditional home of the didjeridu, a rhythmic wind instrument used by Aboriginal people of the region. Its use spread globally in part because the instrument was adopted by world music enthusiasts, and the profile of the Read more…
Warraburnburn In Burarra and Gun-nartpa languages the figure represented in this artwork is generally known as a wangarra ‘ghost spirit’. For the Warrawarra clan ghost spirits have their own particular characteristics and their own name – Warraburnburn. The Warraburnburn and the closely related Galabarrbarr spirit (owned by the Balkarranga clan) are also manikay song Read more…
Warraburnburn In Burarra and Gun-nartpa languages the figure represented in this artwork is generally known as a wangarra ‘ghost spirit’. For the Warrawarra clan ghost spirits have their own particular characteristics and their own name – Warraburnburn. The Warraburnburn and the closely related Galabarrbarr spirit (owned by the Balkarranga clan) are also manikay song Read more…
Mat Mats can vary greatly. Artists commonly use a mix of naturally dyed and undyed fibre to create a striking variation of coloured bands. Some artists also incorporate different types of looping to produce different patterns and textured finishes. Each type of mat, fibre bag, basket and dilly bag has Read more…