Butterflies It is well known that Aboriginal art often depicts images of sacred totems or dreamings of Aboriginal culture. However, the world of the non-sacred also provides a rich source of subject matter for Aboriginal art. Much of the rock art of western Arnhem Land for example features secular topics Read more…
Namorrorddo a profane spirit Namorrorddo is a profane spirit sometimes called a ‘bad angel’ in Aboriginal English. The Namorrorddo is a yirridjdja moiety being associated with the Yabbadurruwa regional cult ceremony. Namorrorddo sits upon a rock and is usually painted with long claw like hands and feet. Sometimes spurs protrude Read more…
Yawkyawk Yawkyawk is a word in the Kunwinjku/Kunwok language of Western Arnhem Land meaning ‘young woman’ and ‘young woman spirit being’. The different groups of Kunwinjku people (one of the Eastern dialect groups call themselves Kuninjku) each have Yawkyawk mythologies, which relate to specific locations in clan estates. These mythologies Read more…
Wititj and Two Sisters There were two sisters out hunting lizards with their dog when they found Brolga eggs. They started cooking when a quoll approached them. One of the sisters wanted to keep the quoll but the other sister warned that it was dangerous and would bring trouble. Then Read more…
Milmilngkan John Mawurndjul and wife Kay Lindjuwanga live at Milmilngkan, near a billabong, and says that underneath the water lies the power of Ngalyod. In this painting, she depicts the power of the place with rarrk (cross-hatching) which contains Mardayin power. Kay has depicted the Milmilngkan place where Ngalyod (the rainbow serpent) Read more…
Wak Wak This painting depicts a sacred site at ‘Kurrurldul’, an outstation south of Maningrida. The ‘rarrk’, or abstract crosshatching, on this work represents the design for the crow totem ancestor called ‘Djimarr’. Today this being exists in the form of a rock, which is permanently submerged at the bottom Read more…
Bark Painting Aboriginal bark paintings have a long cultural tradition, believed to extend back many thousands of years. In northern Australia, paintings on bark shelters in the Kimberley and Arnhem Land were stylistically similar to rock shelter paintings. The Aboriginal bark paintings were used to convey and illustrate stories which Read more…
Mimih Spirit Aboriginal people in the rocky environments of western and south-western Arnhem Land tell of the existence of tall slender spirits which they call Mimih. The name Mimih is well known throughout the top end of the Northern Territory. Aboriginal groups living in the rocky environments of western and Read more…
Wak Wak This painting depicts a sacred site at ‘Kurrurldul’, an outstation south of Maningrida. The ‘rarrk’, or abstract crosshatching, on this work represents the design for the crow totem ancestor called ‘Djimarr’. Today this being exists in the form of a rock, which is permanently submerged at the bottom Read more…
Lorrkon (Hollow Log) The Lorrkon or bone pole coffin ceremony was the final ceremony in a sequence of mortuary rituals celebrated by the people of Arnhem Land. This ceremony involves the placing of the deceased’s bones into a hollow log which was decorated with painted clan designs and ceremonially placed Read more…