Untitled This painting portrays part of the artist’s country where their family lived traditionally during the pujiman (bush) days. The Martu lived very nomadically moving from water source to water source hunting and gathering bush tucker as they went. They would traverse very large distances visiting some areas in the Read more…
Parnngurr School “In 1984 my nyupa (partner) Mr Williams and I moved our family from Jigalong to Parnngurr community. Our five children were all young back then. People wanted to mine at Parnngurr. There was lots of drilling going on. There wasn’t much out there when Parnngurr community formed, just Read more…
Mulyamiji “Mangkarr (greater bilby), nurta (desert bandicoot), winyminji (quoll): those three animals, we protect them now. The old people use to eat the animals and we’re working with the KJ [Kanyirninpa Jukurrpa] ranger mob to protect them. Mangkarr is taller than nurta. This one [nurta] is stumpy like a guinea Read more…
Parnngurr Community “In 1984 my nyupa (spouse), Williams, and I moved our family from Jigalong to Parnngurr community. Our five children were all young back then. People wanted to mine at Parnngurr. There was lots of drilling going on. There wasn’t much out there when Parnngurr community formed, just a Read more…
Lunki (witchetty grub) Lunki (witchetty grubs) are the large, pinkish white, wood eating larvae of several moth species. During the pujiman (traditional, desert dwelling) era, lunki were a reliable food source, forming a staple of the Martu diet, and today they remain equally popular. Lunki are eaten either raw or Read more…
Mulyamiji “This painting is of the Mulyamiji and the big clayplan out there – those red, white and yellow dots are the flowers that grow next to the claypan.” – Carol Williams As a part of the Mulyamiji March 2025 KJ (Kanyirninpa Jukurrpa) rangers held a three day camp in Read more…
Linyji (claypan) This work depicts a linyji (claypan) within the artists’ ngurra (home Country, camp), typically represented with circular forms. Claypans were visited more often during the wet seasons as they filled with water. During the pujiman (traditional, desert dwelling) period, knowledge of water sources was critical for survival, and Read more…
Linyji (claypan) This work depicts a linyji (claypan) within the artists’ ngurra (home Country, camp), typically represented with circular forms. Claypans were visited more often during the wet seasons as they filled with water. During the pujiman (traditional, desert dwelling) period, knowledge of water sources was critical for survival, and Read more…
Untitled “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So nowadays you see Read more…
Bush Tucker and Wild Flower Depicted in this work are traditional types of bush tucker, their habitats, and their related hunting and gathering methods. During the pujiman (traditional, desert dwelling) period, Martu would traverse very large distances annually in small family groups, moving seasonally from water source to water source, Read more…