Jalura (clouds) “All the flowers, little rockholes, all the flowers are nice colours, some good bush tucker too, also here is the jirntu (sun) going down and stars coming up.” – Helen Dale Samson This painting depicts the different colours of the sky above Lake Disappointment near Puntawarri. It shows all of the Read more…
Untitled “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So nowadays you see Read more…
Rabbit Proof Fence “My mother is Daisy Kadibil. She was one of the sisters who walked along the Rabbit Proof Fence. At Jigalong one day, the old people, the mothers were getting their rations. The kids were playing around and Daisy saw a car come, and it took off with Read more…
Untitled This work portrays an area known intimately to the artist, painted here in exquisite detail from memory. During the pujiman (traditional, desert dwelling) era one’s survival depended on their intimate knowledge of the location of resources; thus physical elements of Country, such as sources of kapi (water), tali (sandhills), Read more…
Untitled This work portrays an area known intimately to the artist, painted here in exquisite detail from memory. During the pujiman (traditional, desert dwelling) era one’s survival depended on their intimate knowledge of the location of resources; thus physical elements of Country, such as sources of kapi (water), tali (sandhills), Read more…
Jalura (clouds) “All the flowers, little rockholes, all the flowers are nice colours, some good bush tucker too, also here is the jirntu (sun) going down and stars coming up.” – Helen Dale Samson This painting depicts the different colours of the sky above Lake Disappointment near Puntawarri. It shows all of the Read more…
Wantili Wantili, which forms the focus of much of Bugai’s work, is a large round jurnu (soak) and lyinji (claypan) near Well 25 on the Canning Stock Route. It lies close to Bugai’s birthplace, and is her ngurra (home country). The area is dominated by claypans surrounded by tuwa (sandhills). Read more…
Untitled “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So nowadays you see Read more…
Untitled This work portrays an area known intimately to the artist, painted here in from memory. During the pujiman (traditional, desert dwelling) era one’s survival depended on their intimate knowledge of the location of resources; thus physical elements of Country, such as sources of kapi (water), tali (sandhills), and different Read more…
Untitled “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So nowadays you see Read more…