Untitled This is Nungabar’s Country- her ‘ngurra’ (home Country, camp). People identify with their ngurra in terms of specific rights and responsibilities, and the possession of intimate knowledge of the physical and cultural properties of one’s Country. Painting ngurra, and in so doing sharing the Jukurrpa (Dreaming) stories and physical Read more…
Untitled This is Nungabar’s Country- her ‘ngurra’ (home Country, camp). People identify with their ngurra in terms of specific rights and responsibilities, and the possession of intimate knowledge of the physical and cultural properties of one’s Country. Painting ngurra, and in so doing sharing the Jukurrpa (Dreaming) stories and physical Read more…
Untitled This artist primarily paints her country in the Canning Stock Route area. As a younger woman the artist lived and travelled traditionally with her family during the pujiman (bush) days. They travelled up and down the Stock Route from well 33 to well 38 and as far as Balgo. Read more…
Yirrajarra “Yirrajarra, it’s a yinta (permanent spring) in Warman Country. That’s my camp, that’s my place, that’s my Country. Home there,” – Mitutu Mabel Wakarta (dec.) Yirrajarra comprises of two soaks situated near Lake Auld, and north of Tiwa (Canning Stock Route Well 26). As the site of a continuous Read more…
Untitled This is Mitutu’s Country- her ‘ngurra’ (home Country, camp). People identify with their ngurra in terms of specific rights and responsibilities, and the possession of intimate knowledge of the physical and cultural properties of one’s Country. Painting ngurra, and in so doing sharing the Jukurrpa (Dreaming) stories and physical Read more…
Yirrajarra “Yirrajarra, it’s a yinta (permanent spring) in Warman Country. That’s my camp, that’s my place, that’s my Country. Home there,” – Mitutu Mabel Wakarta (dec.) Yirrajarra comprises of two soaks situated near Lake Auld, and north of Tiwa (Canning Stock Route Well 26). As the site of a continuous Read more…
Untitled This is Nungabar’s Country- her ‘ngurra’ (home Country, camp). People identify with their ngurra in terms of specific rights and responsibilities, and the possession of intimate knowledge of the physical and cultural properties of one’s Country. Painting ngurra, and in so doing sharing the Jukurrpa (Dreaming) stories and physical Read more…
Puntawarri “We camped here, me, my husband, my kids, not far from Jigalong. The old people used to live here and work here. The road goes from Jigalong, past Puntawarri, and then [continues to] the Canning Stock Route. There is a waterhole here where the old bush people used to Read more…
Parnngurr Rockhole “We were climbing Parnngurr hill; we were frightened. Kartiya (Europeans) would walk around, trying to catch Martu people. We would run up the hill and hide. We watched them catch people. We were eating flour that white people gave us. It was horrible. From [Parnngurr rockhole], we got Read more…
Wangkakalu “The jila (snake) is in the kapi (water) at Wangkakalu. There is kujarra (two), jila and his nyupa (spouse). He’s a quiet one.” – Bugai Whyoulter Wangkakalu is a claypan and special meeting place to the southeast of Parnngurr Aboriginal Community, and within the Mckay Ranges. The landscape at Wangkakalu Read more…