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Wantili (Warntili, Canning Stock Route Well 25) “Bugai always tells about Wantili (Warntili, Canning Stock Route Well 25) because she grew up around Wantili. Her family would travel between Wantili, Kaalpa, Juntu-juntu, Raarki, and Wuranu Wells along the Canning Stock Route. She paints around Wantili. She saw whitefellas there for Read more…

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Kulyakartu “My Country, Kulyakartu. I grew up there, from little boy to big boy grew up there.”  – Muuki Taylor This painting depicts Kulyakartu, Muuki’s ngurra (home Country, camp). Kulyakartu is located in the far north of the Martu homelands, near the Percival Lakes region of Western Australia’s Great Sandy Desert. Read more…

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Kumpupirntily (Kumpupintily, Lake Disappointment) “Ngayurnangalku [were] fighting, coming in from everywhere. They all come in here [at Kumpupirntily], all meet up here. Ngayurnangalku travelled through this Country going to Kumpupirntily. They made that Country. That Country got everything- parngarra (goanna), karlaya (emu), dog, kangaroo, all there. And Ngayurnangalku… they’re there Read more…

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Untitled This is Yunkurra’s Country- his ‘ngurra’ (home Country, camp). People identify with their ngurra in terms of specific rights and responsibilities, and the possession of intimate knowledge of the physical and cultural properties of one’s Country. Painting ngurra, and in so doing sharing the Jukurrpa (Dreaming) stories and physical Read more…

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Kumpupirntily ““If they dig him up, anybody, blackfella, whitefellas they’ll get killed! Ngayurnangalku still there [in Kumpupirntily]. No people gotta go come to this place. If they go there it’s one way! There’s a cannibal there. Don’t come to this place- you might get killed! They gonna eat you for Read more…

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Kumpupirntily (Kumpupintily, Lake Disappointment) “Ngayurnangalku [were] fighting, coming in from everywhere. They all come in here [at Kumpupirntily], all meet up here. Ngayurnangalku travelled through this Country going to Kumpupirntily. They made that Country. That Country got everything- parngarra (goanna), karlaya (emu), dog, kangaroo, all there. And Ngayurnangalku… they’re there Read more…

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Untitled This work portrays an area known intimately to the artist, painted here in exquisite detail from memory. During the pujiman (traditional, desert dwelling) era one’s survival depended on their intimate knowledge of the location of resources; thus physical elements of Country, such as sources of kapi (water), tali (sandhills), Read more…

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