Kunawarritji (Canning Stock Route Well 33) Kunawarritji is an important site in the Great Sandy Desert where multiple stories and histories intersect. Originally a spring water and major Martu pujiman (traditional, desert dwelling) camping site, at the turn of the 20th century Kunawarritji was converted into a well along the Read more…
Kunawarritji (Canning Stock Route Well 33) “I learnt how to paint in Kunawarritji; I’ve been painting here. I go to Punmu, Jigalong and Parnngurr, but I always go home to Kunawarritji. I learnt how to paint in Kunawarritji. [When I was young] I was walking around Kunawarritji and Kun Kun, Read more…
Untitled This is Mitutu’s Country- her ‘ngurra’ (home Country, camp). People identify with their ngurra in terms of specific rights and responsibilities, and the possession of intimate knowledge of the physical and cultural properties of one’s Country. Painting ngurra, and in so doing sharing the Jukurrpa (Dreaming) stories and physical Read more…
Hunting Goanna “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So nowadays you Read more…
Christmas, Martu Style in the Bush “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like Read more…
Untitled As in this work, husband and wife Leon Cutter and Ivy Bidu regularly collaborate on their paintings. Most often they work together in the Newman Martumili studio. Ivy was taught to paint by her older sister and well renowned Martumili Artist, Ngamaru Bidu, and her aunt, Jakayu Biljabu (dec.). Read more…
Untitled As in this work, husband and wife Leon Cutter and Ivy Bidu regularly collaborate on their paintings. Most often they work together in the Newman Martumili studio. Ivy was taught to paint by her older sister and well renowned Martumili Artist, Ngamaru Bidu, and her aunt, Jakayu Biljabu (dec.). Read more…
Jartuti “Jartuti water place east of Parnngurr. In pujiman (traditional, desert dwelling) days old people walked and hunted there, we went there recently with KJ (Kanyirninpa Jukurrpa) ranger mob, lovely place.” – Beverley Rogers Jartuti is a water source located close to Parnngurr Aboriginal Community (otherwise known as Cotton Creek), and Read more…
Jartuti “Jartuti water place east of Parnngurr. In pujiman (traditional, desert dwelling) days old people walked and hunted there, we went there recently with KJ (Kanyirninpa Jukurrpa) ranger mob, lovely place.” – Beverley Rogers Jartuti is a water source located close to Parnngurr Aboriginal Community (otherwise known as Cotton Creek), and Read more…
Untitled This is Dale’s Country- her ‘ngurra’ (home Country, camp). People identify with their ngurra in terms of specific rights and responsibilities, and the possession of intimate knowledge of the physical and cultural properties of one’s Country. Painting ngurra, and in so doing sharing the Jukurrpa (Dreaming) stories and physical Read more…