Untitled “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So nowadays you see Read more…
Untitled “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So nowadays you see Read more…
Untitled “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So nowadays you see Read more…
White Gums This artwork was created during the bush food and medicine Wanti’s (women’s) camp of 2024, held collaboratively by Martumili Artists and Kanyirninpa Jukurrpa. Focused around a bush camp at White Gums held in 2024, Martumili Artists and KJ rangers have collaborated on a body of creative and cultural Read more…
Untitled- Generic Martumili This artwork was created during the bush food and medicine Wanti’s (women’s) camp of 2024, held collaboratively by Martumili Artists and Kanyirninpa Jukurrpa. Focused around a bush camp at White Gums held in 2024, Martumili Artists and KJ rangers have collaborated on a body of creative and Read more…
Story of Martu Land: Yarrkalpa (hunting) This work depicts the practice of fire burning as it continues to be used today through the Martu homelands. Over thousands of years, as Martu travelled and hunted on foot they would burn tracts of land, using waru (fire) as a means to assist Read more…
Woman’s Camp This artwork was created during the bush food and medicine Wanti’s (women’s) camp of 2024, held collaboratively by Martumili Artists and Kanyirninpa Jukurrpa. Focused around a bush camp at White Gums held in 2024, Martumili Artists and KJ rangers have collaborated on a body of creative and cultural Read more…
Untitled “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So nowadays you see Read more…
Linyji (claypan) “This linyji (claypan) story, it’s about when the old people used to be living in the desert, a long, long time ago- thousands of years ago. They used to make a hole in the linyjii for the wilyki (seed), using the wind to separate the seed [from the Read more…
Linyji (claypan) in the springtime when the flowers come out after rain This work depicts a linyji (claypan) within the artists’ ngurra (home Country, camp), typically represented with circular forms. Claypans were visited more often during the wet seasons as they filled with water. During the pujiman (traditional, desert dwelling) Read more…