Lake Kurturarra Kurturarra is a yinta (permanent spring) located within the largest of the salt lakes in the Percival Lakes region, and surrounded by acacia trees. Other nearby water sources include Kupankurlu and Yimiri. The Percival Lakes form a string of ephemeral salt lakes in the north of Western Australia, Read more…
Kurturarra Kurturarra is a yinta (permanent spring) located within the largest of the salt lakes in the Percival Lakes region, and surrounded by acacia trees. Other nearby water sources include Kupankurlu and Yimiri. The Percival Lakes form a string of ephemeral salt lakes in the north of Western Australia, extending Read more…
Parnpajinya Parnpajinya is a small Aboriginal community adjacent to the town of Newman. This site lies within Mayiwalku’s ngurra (home Country, camp), the area which she knew intimately and travelled extensively with her family in her youth. People identify with their ngurra in terms of specific rights and responsibilities, and the Read more…
Grandfather’s Country The traditional lands of the Martu people encompass the Great Sandy Desert and Rudall River regions of Western Australia, an enormous tract dominated by distinctive red tuwa (sandhills). These sandhills present an unforgiving landscape; sparse vegetation covers a seemingly never ending expanse of dunes, and yet these lands and Read more…
Marble Bar Marble Bar is a town and a rock formation in the Pilbara region of Western Australia. The town’s name was derived from the jasper rock at the bed of the Coongan River, which run’s adjacent to the town. Jasper is similar to marble in its appearance. Marble Bar is the Read more…
Untitled Most often explored in Doreen’s works are the motifs of her everyday modern Aboriginal community life; the animals hunted and plants gathered for bush tucker, the cars and aeroplanes used to travel to the cities and remote communities she regularly moves between, and depictions of the Country itself. Collectively Read more…
Untitled This is Mayiwalku’s Country- her ‘ngurra’ (home Country, camp). People identify with their ngurra in terms of specific rights and responsibilities, and the possession of intimate knowledge of the physical and cultural properties of one’s Country. Painting ngurra, and in so doing sharing the Jukurrpa (Dreaming) stories and physical Read more…
Jarntinti “This is a linyji (claypan). We find kalaru (seed used for making damper from samphire bush) there that we collect. Too much good tucker!” – Mayiwalku May Chapman Jarntinti is a large claypan at the Southern end of Nyayartakujarra (Lake Dora), a large salt lake surrounded by tali (sand Read more…
Untitled Most often explored in Doreen’s works are the motifs of her everyday modern Aboriginal community life; the animals hunted and plants gathered for bush tucker, the cars and aeroplanes used to travel to the cities and remote communities she regularly moves between, and depictions of the Country itself. Collectively Read more…
Kunawarritji creek Kunawarritji is an important site in the Great Sandy Desert where multiple stories and histories intersect. Originally a spring water and major Martu pujiman (traditional, desert dwelling) camping site, at the turn of the 20th century Kunawarritji was converted into a well along the Canning Stock Route. Each Read more…