Waterhole This work depicts a waterhole within the artists’ ngurra (home Country, camp), typically represented with circular forms. Waterholes are sites that require maintenance, including digging to increase flow, clearing out surrounding growth, and cleaning up after sullying by camels or cattle. During the pujiman (traditional, desert dwelling) period, knowledge Read more…
Wawul Wawul is a spring located yulparirra (south) of Punmu Aboriginal Community, and at the southern end of Nyayartakujarra (Lake Dora), a large salt lake surrounded by tali (sand hills) and numerous springs within the Karlamilyi (Rudall River) region. Other nearby water sources include Tarl, Kartuny, Wawul, Warnkarr, Jutupa, and Read more…
Wilarra “The moon and the lake. The moon is taking care of the dingo pups, it’s looking after them. This here is the salt lake [and the] dingo pups laying down, they’re laying there with their mum. [The] father is here, [the] father of the pups with his wife. They Read more…
Mukunyjarra This is Mayiwalku’s Country- her ‘ngurra’ (home Country, camp). People identify with their ngurra in terms of specific rights and responsibilities, and the possession of intimate knowledge of the physical and cultural properties of one’s Country. Painting ngurra, and in so doing sharing the Jukurrpa (Dreaming) stories and physical Read more…
Jarntinti “This is a linyji (claypan). We find kalaru (seed used for making damper from samphire bush) there that we collect. Too much good tucker!” – Mayiwalku May Chapman Jarntinti is a large claypan at the Southern end of Nyayartakujarra (Lake Dora), a large salt lake surrounded by tali (sand Read more…
Untitled Most often explored in Doreen’s works are the motifs of her everyday modern Aboriginal community life; the animals hunted and plants gathered for bush tucker, the cars and aeroplanes used to travel to the cities and remote communities she regularly moves between, and depictions of the Country itself. Collectively Read more…
Untitled Most often explored in Doreen’s works are the motifs of her everyday modern Aboriginal community life; the animals hunted and plants gathered for bush tucker, the cars and aeroplanes used to travel to the cities and remote communities she regularly moves between, and depictions of the Country itself. Collectively Read more…
Flowers “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So nowadays you see Read more…
Tuwa (Sandhills) “I do tuwa (sandhill) in my own style because that’s our Country. That’s a sandhill, that’s the Dreaming- the Jukurrpa. That’s our culture. They stay there and we go through the sandhills at Puntawarri in the car. We go first tuwa, then the second tuwa, looking for the Read more…
Mungili Rock Holes “I was swimming there. Yeah, we go visit them a long time [ago]. We drink it, rain water from the rain. Big waterhole. It’s a fresh water, when the rain comes, fills it up. One for swimming and another rock hole for drinking.” – Marlene Anderson In Read more…