Untitled – Sylvia Wilson How did you get to this style of painting? “Do you mean, what have I done with my life? (chuckles to herself) To me these paintings are a sense of energy. So if I see someone and they’re happy, I paint a happy vibe. Cos their Read more…
Pinpi (Durba Springs)/ Kumpurpintil Pinpi (Durba Springs) is a spring and adjacent cave located just south east of Jilukurru (Killagurra Spring, Canning Stock Route Well 17). Pinpi is an important site in the Wati Kujarra (Two Goanna Men) Jukurrpa (Dreaming) narrative, and the red rock walls surrounding the spring feature Read more…
Untitled “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So nowadays you see Read more…
Emu Tracks to Puntawarri – Judith Anya Samson “Emu go to the springs to have a drink of water and then move on to the next one.” – Judith Anya Samson Puntawarri is an important cultural area, as well as the site of a now abandoned community, a waterhole, creek Read more…
Untitled “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So nowadays you see Read more…
Aboriginal Flag “It’s their home for them, real ngurra (home Country, camp). Real ngurra is where they been born and grow up.” – Corban Clause Williams The Western Desert term ‘ngurra’ is hugely versatile in application. Broadly denoting birthplace and belonging, ngurra can refer to a body of water, a Read more…
The Valley “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So nowadays you Read more…
Karlamilyi to Kulyakartu – Muuki Taylor “My Country, Kulyakartu. I grew up there, from little boy to big boy grew up there.” – Muuki Taylor This painting depicts the Country between Karlamilyi and Kulyakartu, encompassed within Muuki’s ngurra (home Country, camp), and ranging from the centre to the far north Read more…
Spinifex hopping mouse, Kili This work portrays an area known to the artist, painted here from memory. During the pujiman (traditional, desert dwelling) era one’s survival depended on their intimate knowledge of the location of resources; thus physical elements of Country, such as sources of kapi (water), tali (sandhills), and Read more…
Untitled This is Bugai’s Country- her ‘ngurra’ (home Country, camp). People identify with their ngurra in terms of specific rights and responsibilities, and the possession of intimate knowledge of the physical and cultural properties of one’s Country. Painting ngurra, and in so doing sharing the Jukurrpa (Dreaming) stories and physical Read more…