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Kulyakartu “Long time ago I been there. It is my grandmother’s, grandfather’s, father’s, [and] mother’s country, Kulyakartu.  I am painting this particular place. It keeps me connected, [gives me a] sense of belonging [to] tell my grandmother’s story through my art.  Where she was born, I’m a part of that.  It Read more…

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Nyurnma (Freshly Burnt Country) Martu artists paint Country in all it’s different seasonal stages. Important to Martu, and to Martu Country, is the practice of waru (fire burning); a practice that assists with hunting, regenerates growth, and encourages greater diversity in plant and animal life. When Martu Country burns, mosaic Read more…

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Nyurnma (Freshly Burnt Country) “This the waru [fire], points to orange area and this is nyurnma [burnt country] points to aqua area, here manguu [country ready for burning] points to small pink section.” -Muuki Taylor The practice of fire burning continues to be used today through the Martu homelands. Over thousands Read more…

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Kumpupirntily & Durba Springs Kumpupirntily (Kumpupintily, Lake Disappointment) is a stark, flat and unforgiving expanse of blinding salt lake surrounded by sand hills, located in the Little Sandy and Gibson Desert of Western Australia. Kumpupirntily translates to ‘bladder burst’; the lake was formed when the bladder of the Jila Kujarra Read more…

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Artefact Here Charlie has painted carved artefacts. Martu have been carving objects out of wood for as long as they have carved a life out of the desert. Kurlata (spears), woomera (spear throwers), pilpin (clubs), jurna (hitting sticks), jara (shields), karli (boomerangs), wana (digging-sticks), and piti (timber bowls used for carrying food and water) were the principal technologies of survival in the desert ecology. These Read more…

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