111582291203

Untitled This is Kumpaya’s Country- her ‘ngurra’ (home Country, camp). People identify with their ngurra in terms of specific rights and responsibilities, and the possession of intimate knowledge of the physical and cultural properties of one’s Country. Painting ngurra, and in so doing sharing the Jukurrpa (Dreaming) stories and physical Read more…

111582291200

Wantili (Warntili, Canning Stock Route Well 25) “Wantili (Warntili, Canning Stock Route Well 25) area, close to Parnngurr. My ngurra (home Country, camp), my jamu’s (grandfather’s) Country, my father’s daddy, Jakayu [Biljabu’s] daddy and my daddy’s Country. Jakayu been bury her father there. In pujiman (traditional, desert dwelling) days, my Read more…

111581406503

Untitled Wompi paints the Country around her homelands of Kunawarritji, a place associated with the Minyipuru Jukurrpa (Seven Sister Dreaming). In 1906, Kunawarrtiji also became a well on the Canning Stock Route, and from an early age Wompi and her family had encounters with the white men who drove cattle Read more…

111581406501

Untitled Wompi paints the Country around her homelands of Kunawarritji, a place associated with the Minyipuru Jukurrpa (Seven Sister Dreaming). In 1906, Kunawarrtiji also became a well on the Canning Stock Route, and from an early age Wompi and her family had encounters with the white men who drove cattle Read more…

111581406497

Untitled Wompi paints the Country around her homelands of Kunawarritji, a place associated with the Minyipuru Jukurrpa (Seven Sister Dreaming). In 1906, Kunawarrtiji also became a well on the Canning Stock Route, and from an early age Wompi and her family had encounters with the white men who drove cattle Read more…

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