Dream Time “The shapes represent the family groups from different regions. It’s been really good, reconnecting with family and getting to know which family member is who. Getting to know my uncles, telling me about my mum that has passed away. Hearing about the stories and about my grandmother as Read more…
Puntawarri “All around is sandhills and lakes on every side. You can see the grass, but the lakes are all dry. In the middle is Puntawarri waterhole. That’s the jila (snake) place, two jila. They nyupa (spouses), they darlings, man and woman. They sleeping near to Puntawarri. It’s a hole Read more…
Marapinti (Marrapinti) “Marapinti, close to Kiwirkurra. That’s my auntie’s ngurra (home Country, camp), her Jukurrpa (Dreaming). Most of that area is sandhill, with a big rock on the side. Very sacred place- no man can go. That’s a woman’s place. The Seven Sisters were there. They still there, they stayed Read more…
Marapinti (Marrapinti) “Marapinti, close to Kiwirkurra. That’s my auntie’s ngurra (home Country, camp), her Jukurrpa (Dreaming). Most of that area is sandhill, with a big rock on the side. Very sacred place- no man can go. That’s a woman’s place. The Seven Sisters were there. They still there, they stayed Read more…
Wanti Yuu (Women, Yeah!) “Wanti Yuu (Woman Yeah!) is a story of resilience and of women coming together. It is about the strength of the women in our community who put themselves last and take on a lot. She [Wanti Yuu] is someone who looks after her family, putting the Read more…
Wanti Kaja Martumili Artists work with over three hundred artists from remote Martu Aboriginal communities, including Punmu, Parnngurr, Kunawarritji, Jigalong, Irrungadji (Nullagine), and Warralong, as well as from the Parnpajinya (Newman) gallery and studio spaces. Known for their diverse, energetic, and unmediated painting styles, their works reflect the dramatic geography Read more…
Jila (snake, living water) The Western Desert term jila is used interchangeably to describe springs considered to be ‘living’ waters and snakes, both of which play a central role in Martu culture and Jukurrpa (Dreaming). During the pujiman (traditional, desert dwelling) period, knowledge of water sources was critical for survival, Read more…
Untitled “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So nowadays you see Read more…
Dreamtime “The shapes represent the family groups from different regions. It’s been really good, reconnecting with family and getting to know which family member is who. Getting to know my uncles, telling me about my mum that has passed away. Hearing about the stories and about my grandmother as well. Read more…
Emu Tracks “Emu go to the springs to have a drink of water and then move on to the next one.” – Judith Anya Samson Puntawarri is an important cultural area, as well as the site of a now abandoned community, a waterhole, creek and lake. Puntawarri is located on Read more…