Jartuti “Jartuti water place east of Parnngurr. In pujiman (traditional, desert dwelling) days old people walked and hunted there, we went there recently with KJ (Kanyirninpa Jukurrpa) ranger mob, lovely place.” – Beverley Rogers Jartuti is a water source located close to Parnngurr Aboriginal Community (otherwise known as Cotton Creek), and Read more…
Jartuti “Jartuti water place east of Parnngurr. In pujiman (traditional, desert dwelling) days old people walked and hunted there, we went there recently with KJ (Kanyirninpa Jukurrpa) ranger mob, lovely place.” – Beverley Rogers Jartuti is a water source located close to Parnngurr Aboriginal Community (otherwise known as Cotton Creek), and Read more…
Punmu Waterholes Punmu refers to a region and an Aboriginal community within its vicinity, located 670km North-East of Newman. Created during the return to Country movement of the 1980s, with the recognition of Martu land rights and native title, the community was named after a nearby Jukurrpa (Dreaming) story. Punmu Read more…
Untitled “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So nowadays you see Read more…
Yalta “This is my grandmother’s and mother’s Country, Yalta. It’s very close to Kunawarritji side. I’ve never been there. That was where my mother was born during the pujiman (traditional, desert dwelling) times. All the tali (sandhills) around. I want to go there one day, to see that Country, I Read more…
Untitled This is Bugai’s Country- her ‘ngurra’ (home Country, camp). People identify with their ngurra in terms of specific rights and responsibilities, and the possession of intimate knowledge of the physical and cultural properties of one’s Country. Painting ngurra, and in so doing sharing the Jukurrpa (Dreaming) stories and physical Read more…
Untitled This work portrays an area known to the artist, painted here from memory. During the pujiman (traditional, desert dwelling) era one’s survival depended on their intimate knowledge of the location of resources; thus physical elements of Country, such as sources of kapi (water), tali (sandhills), and different varieties of Read more…
Untitled This work portrays an area known to the artist, painted here from memory. During the pujiman (traditional, desert dwelling) era one’s survival depended on their intimate knowledge of the location of resources; thus physical elements of Country, such as sources of kapi (water), tali (sandhills), and different varieties of Read more…
Untitled This work portrays an area known to the artist, painted here from memory. During the pujiman (traditional, desert dwelling) era one’s survival depended on their intimate knowledge of the location of resources; thus physical elements of Country, such as sources of kapi (water), tali (sandhills), and different varieties of Read more…
Untitled “I like painting. It’s a good way to learn from the old people and keep the stories going.” – Cyril Whyoulter Cyril Whyoulter is one of the most dynamic and exciting practitioners to emerge from the youngest generation of Martumili Artists. He, like his contemporaries, began to paint with his parents, Read more…