Kunawarritji, Nyipily and Kinyu “Kunawarritji, Nyipily, Kinyu…. And that women’s area.” -Pauline Williams Kunawarritji is an important site in the Great Sandy Desert where multiple stories and histories intersect. The area forms part of Pauline’s ngurra (home Country, camp) through her family. Originally a spring water and major Martu pujiman (traditional, desert dwelling) camping Read more…
Near Jigalong “Near Jigalong this place. There is two turkey and one kangaroo. Kipara and marlu and full moon.” -Troy Polly This work portrays an area known to the artist, painted here from memory. During the pujiman (traditional, desert dwelling) era one’s survival depended on their intimate knowledge of the location of Read more…
Partjanta “Katjarra’s [Katjarra Butler] ngurra (home Country, camp). Birthplace. [It is] sandhill country. Rockhole, little bit of rocks. And in the sandhill, there is a jurnu (soakwater). They take that water, come out [of the soakwater]. Partjanta the name of that jurnu. Main one. She [Katjarra Butler] been go jina [foot, walking]. Early days. Walking [to] Kintore, Papunya.” “I’m Read more…
Punmu, Kunawarritji and Parrngurr Troy has painted the three Martu communities of Punmu, Kunawarritji and Parrngurr. Punmu refers to a region and an Aboriginal community within its vicinity, located 670km North-East of Newman. Created during the return to Country movement of the 1980s, with the recognition of Martu land rights Read more…
Emu Eggs “These [are] emu eggs. In the spinifex. Wiluna. My mother’s side. They just look for those emu tracks, forwards and then going back. They follow them back to the nest. They know how to find them, emu eggs. And then eat them.” -Shoshanna Jeffries Depicted in this work Read more…
Untitled This work portrays an area known to the artist, painted here from memory. During the pujiman (traditional, desert dwelling) era one’s survival depended on their intimate knowledge of the location of resources; thus physical elements of Country, such as sources of kapi (water), tali (sandhills), and different varieties of Read more…
All the mima (women) The site depicted in this work, situated to the east of Kiwirrkurra and on Pintupi Country, forms part of Sharon’s ngurra (home Country, camp) through her grandmother, Katjarra Butler. Katjarra shared with Sharon the jukurrpa (dreaming) story for this area. This narrative describes how a distinctive Read more…
All the mima (women) The site depicted in this work, situated to the east of Kiwirrkurra and on Pintupi Country, forms part of Sharon’s ngurra (home Country, camp) through her grandmother, Katjarra Butler. Katjarra shared with Sharon the jukurrpa (dreaming) story for this area. This narrative describes how a distinctive Read more…
Partjanta “Katjarra’s [Katjarra Butler] ngurra (home Country, camp). Birthplace. [It is] sandhill country. Rockhole, little bit of rocks. And in the sandhill, there is a jurnu (soakwater). They take that water, come out [of the soakwater]. Partjanta the name of that jurnu. Main one. She [Katjarra Butler] been go jina [foot, walking]. Early days. Walking [to] Kintore, Papunya.” “I’m Read more…
Partjanta “Katjarra’s [Katjarra Butler] ngurra (home Country, camp). Birthplace. [It is] sandhill country. Rockhole, little bit of rocks. And in the sandhill, there is a jurnu (soakwater). They take that water, come out [of the soakwater]. Partjanta the name of that jurnu. Main one. She [Katjarra Butler] been go jina [foot, walking]. Early days. Walking [to] Kintore, Papunya.” “I’m Read more…