Untitled “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So nowadays you see Read more…
Kurturarra Kurturarra is a yinta (permanent spring) located within the largest of the salt lakes in the Percival Lakes region, and surrounded by acacia trees. Other nearby water sources include Kupankurlu and Yimiri. The Percival Lakes form a string of ephemeral salt lakes in the north of Western Australia, extending Read more…
Untitled “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So nowadays you see Read more…
Jigalong store This work portrays an area known intimately to the artist, painted here from memory. During the pujiman (traditional, desert dwelling) era one’s survival depended on their intimate knowledge of the location of resources; thus physical elements of Country, such as sources of kapi (water), tali (sandhills), and different Read more…
Ngami – Roma Gibson “Ngami got no lake, only got a stone. That’s the ladies, the Seven Sisters sitting down. That’s a Jukurrpa (Dreaming) story from the old people. Man chasing all the ladies, Seven Sisters. That’s my grandmother’s story, that’s her place. She told me that story when I Read more…
Ngami “Ngami got no lake, only got a stone. That’s the ladies, the Seven Sisters sitting down. That’s a Jukurrpa (Dreaming) story from the old people. Man chasing all the ladies, Seven Sisters. That’s my grandmother’s story, that’s her place. She told me that story when I was a big Read more…
Freshwater fish, Rockholes, Kapi This work portrays an area known intimately to the artist, painted here from memory. During the pujiman (traditional, desert dwelling) era one’s survival depended on their intimate knowledge of the location of resources; thus physical elements of Country, such as sources of kapi (water), tali (sandhills), Read more…
Untitled This work portrays an area known intimately to the artist, painted here from memory. During the pujiman (traditional, desert dwelling) era one’s survival depended on their intimate knowledge of the location of resources; thus physical elements of Country, such as sources of kapi (water), tali (sandhills), and different varieties Read more…
Untitled This is Lorna’s Country- her ‘ngurra’ (home Country, camp). People identify with their ngurra in terms of specific rights and responsibilities, and the possession of intimate knowledge of the physical and cultural properties of one’s Country. Painting ngurra, and in so doing sharing the Jukurrpa (Dreaming) stories and physical Read more…
