Kulyakartu “My Country, Kulyakartu. I grew up there, from little boy to big boy grew up there.” This painting depicts Muuki’s Country, Kulyakartu; an area in the far north of the Martu homelands, near the Percival Lakes in the northern Great Sandy Desert. The artist has extensive knowledge of the Read more…
Parnngurr area Parnngurr is an Aboriginal community located 370km east of Newman, at the Southern end of the Karlimilyi area in the Pilbara region of Western Australia. Created during the Return to Country movement of the 1980s, with the recognition of Aboriginal land rights and native title, the community was Read more…
Waru Waru “This is the waru-waru, the yukarri warta (green shoots and young plants). After the waru (fire) the mirrka (bush tucker) grows up. After the burning. you get all the animals coming to that place ” Martu artists paint Country in all it’s different seasonal stages. Important to Martu, and to Martu Read more…
Minyipuru (Seven Sisters) Minyipuru is an important jukurrpa (dreamtime) story about seven sisters that are travelling through the desert, running away from Yurla, a lustful old man. The man chases the wanti (women) all the way from Roebourne on the west coast, right through Martu country before flying east across Read more…
Kulyakartu “My Country, Kulyakartu. I grew up there, from little boy to big boy grew up there.” – Muuki Taylor This painting depicts Kulyakartu, Muuki’s ngurra (home Country, camp). Kulyakartu is located in the far north of the Martu homelands, near the Percival Lakes region of Western Australia’s Great Sandy Desert. Read more…
Kulyakartu “My Country, Kulyakartu. I grew up there, from little boy to big boy grew up there.” – Muuki Taylor This painting depicts Kulyakartu, Muuki’s ngurra (home Country, camp). Kulyakartu is located in the far north of the Martu homelands, near the Percival Lakes region of Western Australia’s Great Sandy Desert. Read more…
Nyurnma, Manguu This work depicts the practice of fire burning as it continues to be used today through the Martu homelands. Over thousands of years, as Martu travelled and hunted on foot they would burn tracts of land, using waru (fire) as a means to assist with hunting and to Read more…
Untitled This is Kumpaya’s Country- her ‘ngurra’ (home Country, camp). People identify with their ngurra in terms of specific rights and responsibilities, and the possession of intimate knowledge of the physical and cultural properties of one’s Country. Painting ngurra, and in so doing sharing the Jukurrpa (Dreaming) stories and physical Read more…
Claypans “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So nowadays you see Read more…
Me, Myself “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So nowadays you Read more…