Untitled “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So nowadays you see Read more…
Aboriginal Flag “It’s their home for them, real ngurra (home Country, camp). Real ngurra is where they been born and grow up.” – Corban Clause Williams The Western Desert term ‘ngurra’ is hugely versatile in application. Broadly denoting birthplace and belonging, ngurra can refer to a body of water, a Read more…
The Valley “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So nowadays you Read more…
Karlamilyi to Kulyakartu – Muuki Taylor “My Country, Kulyakartu. I grew up there, from little boy to big boy grew up there.” – Muuki Taylor This painting depicts the Country between Karlamilyi and Kulyakartu, encompassed within Muuki’s ngurra (home Country, camp), and ranging from the centre to the far north Read more…
Spinifex hopping mouse, Kili This work portrays an area known to the artist, painted here from memory. During the pujiman (traditional, desert dwelling) era one’s survival depended on their intimate knowledge of the location of resources; thus physical elements of Country, such as sources of kapi (water), tali (sandhills), and Read more…
Untitled This is Bugai’s Country- her ‘ngurra’ (home Country, camp). People identify with their ngurra in terms of specific rights and responsibilities, and the possession of intimate knowledge of the physical and cultural properties of one’s Country. Painting ngurra, and in so doing sharing the Jukurrpa (Dreaming) stories and physical Read more…
Yalta Yalta is a waterhole located between the Great Sandy Desert’s Percival Lakes region and Kunawarritji Aboriginal community. This site was visited by the Ngayurnangalku (cannibals) during the Jukurrpa (Dreaming). These fearsome ancestral cannibal beings are said to resemble people in their appearance, except for their fangs and long curved Read more…
Untitled This work portrays an area known to the artist, painted here from memory. During the pujiman (traditional, desert dwelling) era one’s survival depended on their intimate knowledge of the location of resources; thus physical elements of Country, such as sources of kapi (water), tali (sandhills), and different varieties of Read more…
Linyji (claypan) “This linyji story, it’s about when the old people used to be living in the desert, a long long time ago, thousands of years ago. They used to make a hole in the linyjii,, for the wilyki (seed), using the wind to separate the seed (from the husk) [winnowing]. Also when Read more…
Pala-pala kujarra [Two lizards] “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So Read more…