Puntawarri “We drink water at Puntawarri. We clean and dig that waterhole. This Country is Puntawarri. My nanna, Dadda, taught me to paint this Country. Puntawarri is important because it is my pop’s, my nannas’ husband’s, place. They camped there and went hunting for goanna or anything, kangaroo or turkey. Read more…
Wanti Yuu (Women, Yeah!) “Wanti Yuu (Woman Yeah!) is a story of resilience and of women coming together. It is about the strength of the women in our community who put themselves last and take on a lot. She [Wanti Yuu] is someone who looks after her family, putting the Read more…
Bush Medicine Traditional Martu knowledge of plant properties was encyclopedic, and saw plants used for purposes as diverse as food resources, carving implements, tobacco, firewood, shelter construction, and bush medicines. Depicted in this work are types of bush medicines, their habitats, and the processes used in their preparation. Physical ailments Read more…
Untitled This work portrays an area known to the artist, painted here from memory. During the pujiman (traditional, desert dwelling) era one’s survival depended on their intimate knowledge of the location of resources; thus physical elements of Country, such as sources of kapi (water), tali (sandhills), and different varieties of Read more…
Tuwa (sandhills) “I do tuwa (sandhill) in my own style because that’s our Country. That’s a sandhill, that’s the Dreaming- the Jukurrpa. That’s our culture. They stay there and we go through the sandhills at Puntawarri in the car. We go first tuwa, then the second tuwa, looking for the Read more…
Wanti Yuu (Women, Yeah!) “Wanti Yuu (Woman Yeah!) is a story of resilience and of women coming together. It is about the strength of the women in our community who put themselves last and take on a lot. She [Wanti Yuu] is someone who looks after her family, putting the Read more…
Mungili Claypan “When I was young, [I would] walk around, play around, slide around on the mud. [At Mungili, there’s a] Big one [claypan] and little ones on the side. And the white gums, [where] we would get witchetty grubs” – Marlene Anderson In this work Marlene depicts a claypan Read more…
Junpunjunya “That’s my great, great grandparent’s Country. My grandfathers’ and grandmother’s Country. You go through 33 Well (Kunawarritji, Canning Stock Route Well 33).” – Marianne Burton This work depicts two specific sites that form part of Marianne’s ngurra (home Country, camp) through her great, great grandparents. The Western Desert term ‘ngurra’ is Read more…
Punmu waterholes “Punmu, I went there when I was a young girl, a teenager with my mother and father before my mother passed. Big mob of people was there. No building, just little cubby houses [bough shelters]. Long time I been there. These here are the waterholes around Punmu; Rawa Read more…
Untitled This work portrays an area known to the artist, painted here from memory. During the pujiman (traditional, desert dwelling) era one’s survival depended on their intimate knowledge of the location of resources; thus physical elements of Country, such as sources of kapi (water), tali (sandhills), and different varieties of Read more…