Waterhole This work depicts a waterhole within the artists’ ngurra (home Country, camp), typically represented with circular forms. Waterholes are sites that require maintenance, including digging to increase flow, clearing out surrounding growth, and cleaning up after sullying by camels or cattle. During the pujiman (traditional, desert dwelling) period, knowledge Read more…
Untitled How did you get to this style of painting? “Do you mean, what have I done with my life? (chuckles to herself) To me these paintings are a sense of energy. So if I see someone and they’re happy, I paint a happy vibe. Cos their spirit is happy. Read more…
Untitled How did you get to this style of painting? “Do you mean, what have I done with my life? (chuckles to herself) To me these paintings are a sense of energy. So if I see someone and they’re happy, I paint a happy vibe. Cos their spirit is happy. Read more…
Different seasons “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So nowadays you Read more…
Untitled “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So nowadays you see Read more…
Untitled This work portrays an area known to the artist, painted here from memory. During the pujiman (traditional, desert dwelling) era one’s survival depended on their intimate knowledge of the location of resources; thus physical elements of Country, such as sources of kapi (water), tali (sandhills), and different varieties of Read more…
Untitled “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So nowadays you see Read more…
Mirtikanya (Mujupunkanu, Watchpoint Hill) “This is the sunset and the clouds. The cockies and the black crows are landing for their milka (food). Near Watchpoint Hill.” “This one here is Watchpoint Hill near to Jigalong, with all the sandhills and the walyji (river gums). We got warla (lakes) there too. Read more…
Kunawarritji Rockholes “These are the rockholes around Kunawarritji (Canning Stock Route Well 33). My mum [Jugarda Dulcie Gibbs] painted the same. It’s my father’s Country; he was born at Well 33. I’m painting Well 35, Kinyu, all the way to Well 38, Wajaparni. This is a big place for us. Read more…
Untitled “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So nowadays you see Read more…