Wantikaja [women] collecting wuukurta [honey ants] Wuukurta (honey ants) are found in a variety of arid or semiarid environments, with nests of up to two metres deep and more than two metres across. Wuukurta are a highly sought after bush tucker, known otherwise as ‘bush lollies’ due to their sweet, Read more…
Linyji [claypan] “This linyji story, it’s about when the old people used to be living in the desert, a long long time ago, thousands of years ago. They used to make a hole in the linyjii,, for the wilyki (seed), using the wind to separate the seed (from the husk) [winnowing]. Also when Read more…
Fortescue River around Newman This work portrays an area known to the artist, painted here from memory. During the pujiman (traditional, desert dwelling) era one’s survival depended on their intimate knowledge of the location of resources; thus physical elements of Country, such as sources of kapi (water), tali (sandhills), and Read more…
Wuukurta [honey-ants] & lungki [witchetty grub] Wuukurta (honey ants) are found in a variety of arid or semiarid environments, with nests of up to two metres deep and more than two metres across. Wuukurta are a highly sought after bush tucker, known otherwise as ‘bush lollies’ due to their sweet, Read more…
Emu Tracks and waterhole “Emu go to the springs to have a drink of water and then move on to the next one.” – Judith Anya Samson Puntawarri is an important cultural area, as well as the site of a now abandoned community, a waterhole, creek and lake. Puntawarri is Read more…
Mungili Claypan “When I was young, walk around, play around, slide around on the mud. Big one [claypan] and little ones on the side. And the white gums, [where] we would get witchetty grubs” – Marlene Anderson In this work Marlene depicts a claypan located in Mungili, the small outstation Read more…
True Colours “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So nowadays you Read more…
Untitled “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So nowadays you see Read more…
Untitled Depicted in this work are traditional types of mayi (plant food). During the pujiman (traditional, desert dwelling) period, Martu would traverse very large distances annually in small family groups, moving seasonally from water source to water source, and hunting and gathering bush tucker as they went. Whilst desert life Read more…
Untitled This work portrays an area known to the artist, painted here from memory. During the pujiman (traditional, desert dwelling) era one’s survival depended on their intimate knowledge of the location of resources; thus physical elements of Country, such as sources of kapi (water), tali (sandhills), and different varieties of Read more…