Niminjarra (nyurnma) “Niminjarra is the two brothers transforming into a snake so they can go back home to Ngayartakujarra (Lake Dora). They were in training for ceremony, those two brothers, but they were kept too long and nobody was there to release them. They waited then they decided to transform into Read more…
Kulyakartu “My Country, Kulyakartu. I grew up there, from little boy to big boy grew up there.” – Muuki Taylor This painting depicts Muuki’s Country, Kulyakartu; an area in the far north of the Martu homelands, near the Percival Lakes in the northern Great Sandy Desert. The artist has extensive Read more…
Kulyakartu “My Country, Kulyakartu. I grew up there, from little boy to big boy grew up there.” – Muuki Taylor This painting depicts Muuki’s Country, Kulyakartu; an area in the far north of the Martu homelands, near the Percival Lakes in the northern Great Sandy Desert. The artist has extensive Read more…
Kulyakartu “My Country, Kulyakartu. I grew up there, from little boy to big boy grew up there.” – Muuki Taylor This painting depicts Muuki’s Country, Kulyakartu; an area in the far north of the Martu homelands, near the Percival Lakes in the northern Great Sandy Desert. The artist has extensive Read more…
Minyipuru (Jakulyukulyu, Seven Sisters) The term Jukurrpa is often translated in English as the ‘dreaming’, or ‘dreamtime’. It refers generally to the period in which the world was created by ancestral beings, who assumed both human and nonhuman forms. These beings shaped what had been a formless landscape; creating waters, Read more…
Untitled This work portrays an area known intimately to the artist, painted here in exquisite detail from memory. During the pujiman (traditional, desert dwelling) era one’s survival depended on their intimate knowledge of the location of resources; thus physical elements of Country, such as sources of kapi (water), tali (sandhills), Read more…
Untitled “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So nowadays you see Read more…
Untitled This work portrays an area known intimately to the artist, painted here in exquisite detail from memory. During the pujiman (traditional, desert dwelling) era one’s survival depended on their intimate knowledge of the location of resources; thus physical elements of Country, such as sources of kapi (water), tali (sandhills), Read more…
Blue Hills This painting depicts Blue Hills, which is Miriam’s father’s ancestral country. Kajarra (Kadjara) is the Martu name for the Carnarvon Ranges, which are situated in the Little Sandy Desert around 50 kilometres west of Well 5 on the Canning Stock Route. The red granite battlements of Kadjara rise Read more…
Kangaroo Hunting “[this painting is of] when we shot and killed the kangaroo. We cooked it in the bush, then sit around and wait for the kangaroo to get cooked” – Noreena Kadibil Depicted in this work are animals hunted for bush tucker, their habitats, and different hunting methods. During Read more…