Untitled “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So nowadays you see Read more…
My grandfather’s Country (Junpunjunya, Junpunkutja) “That’s my great, great grand parent’s Country. My grandfathers’ and grandmother’s Country. You go through 33 Well (Kunawarritji, Canning Stock Route Well 33).” – Marianne Burton This work depicts two specific sites that form part of Marianne’s ngurra (home Country, camp) through her great, great Read more…
Untitled “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So nowadays you see Read more…
Untitled “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So nowadays you see Read more…
Untitled “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So nowadays you see Read more…
Untitled “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So nowadays you see Read more…
Bush Foods Depicted in this work are traditional types of bush tucker, their habitats, and their related hunting and gathering methods. During the pujiman (traditional, desert dwelling) period, Martu would traverse very large distances annually in small family groups, moving seasonally from water source to water source, and hunting and Read more…
Jina (tracks, footprints) Depicted in this work are jina (tracks, footprints), used by Martu people when tracking bush tucker. Distinctive are the jina of the marlu (kangaroo), parnajarrpa (sand goanna), kipara (bustard), karlaya (emu), jila (snake) and man, though tracks of much smaller animals and even insects are also well known Read more…
Wild Flower “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So nowadays you Read more…
Untitled This painting depicts the artist’s country, where Mulyatingki and her sisters (and fellow artists, May Chapman and Nancy Chapman) lived and camped as children. Mulyatingki and her family walked extensively through this area with their extended family during pujiman (bush) days.